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This article discusses issues of public communication. It does so in terms of the ethics of verbatim theatre and public sociology. The issues raised are exemplified through the Birmingham Trojan Horse affair, which has been subject to extensive media reporting and public inquiries of various kinds as well as legal processes. In that sense, there have been various “courts of public opinion” where the affair has been “staged.” In this article, it is understood as an injustice visited upon a community of British Muslims and the teachers and governors responsible for their schools, an injustice that was largely a consequence of provocative media reporting and peremptory government action. The article addresses the role of verbatim theatre in staging the injustice for public reflection and the role of public sociology as a project of writing for justice.

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