Recently, there has been a rapid increase in the production of literary works written in English by female Arab writers who have brought more appreciation for the Arab women who are often perceived by the Western reader as exotic, eccentric and complex. The article deals with the 2006 novel The Girl in the Tangerine Scarf by Mohja Kahf, a Syrian-American poet and novelist, which presents the reader with a new borderland area occupied by young Arab-American Muslim women. The novel condemns distorted images of Muslims in America by local media and US foreign policy. The article aims to show the way the protagonist Khadra attempts to relocate an identity which has been lost between home and abroad and between a radical Islam and discerning secularism. Kahf offers the Western reader a unique portrayal of Muslim women, having developed a subjectivity of their own. The article also aims to show that by disclosing the journey—searching for the identity—of Khadra, Kahf enables her to come to terms with both her Arab and American identities where she creates a new identity for herself in order to be accepted and established in America. The new attitude of Muslim-American women resonates with the author’s assertion of the right of the oppressed to be heard and liberated.