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The term Afropolitan—evoking the image of mobility, cultural production, and consumerism in Africa and the African diaspora—has enjoyed some salience in popular culture. However, much of the scholarly debate has focused on the elitism associated with the concept. Linked initially to short reflective pieces by Taiye Selasi in 2005 and Achille Mbembe in 2007, Afropolitanism has rarely been analyzed in historical contexts. The contributors engage the concept of the Afropolitan across a broad time and space that spans the fourteenth to twenty-first centuries and locates the Afropolitan in Africa, the Americas, Europe, and Asia. This introduction analyzes their written and photographic essays along three themes: visual culture, narrativity, and intersectionality, recognizing that their work also pushes against and expands on these frameworks. By engaging with the Afropolitan as a historical phenomenon, the issue highlights new methods and theories for analyzing global diasporas—past, present, and future.

I began graduate school in 1994 to study the history of American peoples of African descent; I saw important similarities between their cultures and their resistance struggles and sought to develop a comparative project. However, as I began casting my long term research plan— which was to compare Afro-Cubans and Afro-North Americans—I discovered and uncovered many stumbling blocks. The primary one was that academe grouped African descended people by their European and colonially derived relationships (ex: North America, Latin America, South America, and the Caribbean) and not by their Black derived positions. I may have been naive but this seemed problematic to me.

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