There is a methodological tendency in work on diaspora and digital media for quantitative investigations to approach diaspora in static ways that contrast with theories of diaspora as a dynamic cultural formation. On the other hand, qualitative, ethnographic work tends not to engage with digital methods and quantitative data‐driven investigation. In this article, we sketch this methodological and disciplinary disconnect and address it by proposing a model for understanding digitally mediated formations of diaspora that combines digital methods techniques with a sensitivity to ethical and theoretical discussions of migration and diaspora. Drawing on interpretive epistemologies and feminist research ethics, we present a case study analysis of a locally informed, Turkish–Dutch issue. We argue for a method that produces ‘mattering maps’. This involves tracking and visualizing digital traces of an issue across web platforms (Google Search results, Facebook pages, and Instagram posts) and integrating this with an analysis of the face‐to‐face interview responses of a key issue actor.

Serving as the introduction to the special issue on ‘Migrant narratives’, this article proposes a multi-perspectival and multi-stakeholder analysis of how migration is narrated in the media in the last decade. This research agenda is developed by focussing on groups of actors that are commonly studied in isolation from each other: (1) migrants, (2) media professionals such as journalists and spokespersons from humanitarian organizations, (3) governments and corporations and (4) artists and activists. We take a relational approach to recognize how media power is articulated alongside a spectrum of more top-down and more bottom-up perspectives, through specific formats, genres and styles within and against larger frameworks of governmentality. Taken together, the poetics and politics of migrant narratives demand attention respectively for how stakeholders variously aesthetically present and politically represent migration. The opportunities, challenges, problems and commitments observed among the four groups of actors also provide the means to rethink our practice and responsibilities as media and migration scholars contributing to decentring media technologies and re-humanizing migrants.

Identity and Translocal Modes of Belonging .

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