This study examines 'participatory journalism' from the perspective of participants. Through a series of in-depth interviews with 32 participants from two different participatory journalistic environments set up by professional news organizations, we investigated how participants view and evaluate their participation in journalism. We propose that participants views progress through a series of four stages: anticipation, participation, evaluation and reconsideration. A clear breach is observed between the stage of anticipation and evaluation. We propose that this breach could be couched in terms of both a need and a wish for reciprocity, but also a lack of it. The term 'reciprocity' is inspired by Lewis et al.'s notion of 'reciprocal journalism' and Loosen and Schmidt's conceptualization of journalism as a 'social system'. Implications for the study of participatory journalism and journalism practitioners are discussed.
This article presents a content analysis of five very different examples of participatory journalism. The goal of this study is to examine the, largely untested, assumptions that news organizations and journalists have about audience input (audience material for instance being trivial, personal, emotional and sensational). We systematically ask how the contents of the five projects might be characterized in relation to conventional quality journalism as a particular genre by examining the contents against two criteria that have been critical to this genre: 'objectivity' and 'diversity'. Second, given the core role that a notion of professional 'control' plays in discussions on participatory journalism, we examine whether these manifestations on objectivity and diversity are associated with the degree to which professional journalists have control over the participatory content published within these projects. By doing so, we aim to better understand what the participating audience produces in order to get an idea of what, according to participants, 'counts' as journalism and to determine whether and how
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