Abstract:The Internet and social media afford individuals the opportunity to post their thoughts instantaneously and largely without filters. While this has tremendous democratic potential, it also raises questions about the quality of the discourse these technological changes portend. Online comment sections may be a particularly unique form of communication within social media to investigate because of their ubiquitous and often anonymous nature. A longitudinal examination of Pew Center data over the course of 4 years suggests that there are demographic differences between people who post and those who do not post to online comment sections. Specifically, in 2008 and 2010 regression analysis demonstrates there is an increased likelihood of posting among men, the unmarried, and the unemployed. However, the 2012 data tells a different story and suggests the possibility that the nature of comment sections might be changing. The findings have important implications for understanding the character of online discourse as well as the vitriol undergirding the political attitudes of disaffected citizens.

Kony 2012, a film released by the nonprofit Invisible Children in the spring of 2012, drew a flurry of Facebook “shares” and “likes.” However, critics expressed a concern that the film offered a distorted portrayal of Africans and African politics. In this article, we test these criticisms by asking what effects the film had on college students’ perceptions of Africa and Africans. To address this question, we draw on a survey and an experiment conducted at a small liberal arts college whereKony 2012enjoyed popularity. The results show that the film did affect students’ perceptions of Africa; specifically, it led many to perceive Africans as lacking agency and autonomy. We argue that whereas the film did have initial negative effects on students’ perceptions of Africa, these effects seem to fade over time. Future research should explore the compounding effects of exposure to images that misrepresent the African continent.

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Shoah is not an easy film to talk about.1 There is magic in this film, and magic can not be explained. After the war, we read so many testimonies about the ghettos and the extermination camps, and were shaken by them. But today, when we watch this extraordinary film by Claude Lanzmann, we see that we have understood nothing....