This article begins to develop an understanding of surgical mask-wearing in Japan, now a routine practice against a range of health threats. Their usage and associated meanings are explored through surveys conducted in Tokyo with both mask wearers and non-mask wearers. It contests commonly held cultural views of the practice as a fixed and distinctively Japanese collective courtesy to others. A historical analysis suggests that an originally collective, targeted and sciencebased response to public health threats has dispersed into a generalised practice lacking a clear end or purpose. Developed as part of the biomedical response to the Spanish flu of 1919, the practice resonated with folk assumptions as making a barrier between purity and pollution. But mask-wearing became socially embedded as a general protective practice only from the 1990s through a combination of commercial, corporate and political pressures that responsibilised individual health protection. These developments are usefully understood amidst the uncertainty created by Japan's 'second modernity' and the fracturing of her post-war order. Mask-wearing is only one form of a wider culture of risk; a selfprotective risk ritual rather than a selfless collective practice.
Women-only train carriages have been introduced in Japan as a response to widespread groping (chikan) by men. In August 2007, 155 young women completed a survey at a variety of locations in central Tokyo, mainly at the popular meeting places, Shinjuku and Shibuya. The survey involved face-to-face interviews conducted mainly by young female interviewers. The numbers involved are insufficient for rigorous statistical analysis and in this pilot study we were principally interested in further refining ideas and hypotheses for further investigation by considering results in the context of significant contemporary social trends. This article starts by considering a particular cultural context in which the issue of groping resulted in the introduction of women-only train carriages and this official antigroping measure which has been widely accepted. The article then examines women's responses to the availability of women-only train carriages, using surveys carried out in Tokyo. It concludes by considering the specific and anomalous targeting of primarily middle aged 'salarymen', a focus understood in the context of the collapse of the ideological power of the patriarchal corporate figure associated with the end of the Japanese economic miracle. Women's use and support for women-only train carriages is not solely dominated by anxiety over the risk of chikan. Our survey indicated that it was a symbolic rejection of a particular type of masculinity, rather than the physical separation from a risk of being groped.
The generic notion of “religion” and its conceptual demarcation from “the secular” have been critically examined by a number of scholars from the “critical religion” perspective. The interrogation of the term “religion,” and other related terms, questions modern formations of knowledge and power in general. This paper constitutes part of the project which examines norms and imperatives which govern sociological discourse on religion. Max Weber and Emile Durkheim are particularly significant figures in sociology of religion. The aim of this paper is to historicize the category “religion” (and its opposition “the secular”) employed by Weber and Durkheim, in the specific social context of Germany and France in the late 19th and early 20th centuries. It hopes to contribute to a greater understanding of the ideological foundation of sociological theories of religion.
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