Resumenl hombre en su afán por perdurar en el tiempo, ha inventado técnicas y herramientas que le permiten expresarse, y transmitir no solo lo que es importante para sí mismo, sino lo que forma una serie de representaciones simbólicas para su cultura. Aquello que precisamente le permite plasmar lo vivido y continuar en el tiempo. Algunos de estos hechos humanos fueron los que permitieron a los Muiscas, primeros pobladores de la región Cundi -Boyacense, representar lo trascendente, lo que para ellos se constituyó como fundamental de un hecho cultural: la caza, el uso de instrumentos y herramientas, que fueron perfeccionando para mejorar su convivencia, el dominio de algunos animales y la personificación de los mismos, los rituales de adoración, el culto a los dioses, y muchas otras situaciones de vida, circunstancias propias de ese momento. Pues si bien es cierto, eran hombres que no dejan de asombrar, las técnicas que emplearon, el uso de las herramientas que fueron perfeccionando y sobre todo la capacidad de síntesis que tuvieron para la elaboración de la simbología necesaria para establecer un puente de comunicación entre sus pensamientos y los que querían expresar. Ese ingenio humano los llevó a perpetuarse hasta nuestros tiempos a través de lo que quisieron proclamar en el arte rupestre. Los Muiscas materializaron un propósito mágico y de comunicación Abstract an in his quest to endure over time, has invented techniques and tools that allow you to express, and convey not only what is important in itself, but it forms a series of symbolic representations to their culture. That allows you to precisely capture the lived and continue over time. Some of these human facts were what allowed the Muisca, early settlers of the region Cundi -Boyacense, represent the transcendent, which for them was set up as a cultural core: hunting, use of instruments and tools that were refined to improve their living, the domain of some animals and the embodiment of the same, rituals of worship, the worship of the gods, and many other life situations, circumstances of the time. For if it is true, were men who never cease to amaze, the techniques employed, the use of the tools were improved and especially synthesis capacity had to prepare the symbols needed to establish a bridge of communication between his thoughts and those who wanted to express. That led to human ingenuity to our times perpetuated through what they wanted to proclaim in rock art. Materialized Muiscas magical purpose of communication with supernatural forces, using their sense of wonder and ingenuity on the stones to express that, which undoubtedly was important to them to show, kept and communicated. However, it has been a task that some engineers have along history: to contri-

Ante la preocupación por la pérdida de valores en la sociedad actual y la falta de un significado que satisfaga la propia vida del hombre, nace la idea de diseñar un sistema de gestión empresarial bajo el nombre de jardín infantil Na´e Dwshu, proyectado para ofrecer el servicio educativo a niños de dos a cinco años de edad en La Hormiga, Putumayo. Este proyecto se diseña con un enfoque pedagógico centrado en la persona, desde la logoterapia para fomentar, en los niños y sus familias, los valores y el sentido de la existencia humana. Además, se fundamenta en un modelo pedagógico con abordajes ambientales, culturales, tecnológicos y de aproximación científica, para potenciar el desarrollo físico, cognitivo, del lenguaje, emocional y social del niño, con la realización de actividades rectoras de la educación inicial, juego, arte, literatura y exploración del medio. El diseño del jardín infantil está enmarcado en un entorno de saberes y tradiciones culturales, y en un contexto ambiental, tecnológico y de emprendimiento, con un sistema de gestión empresarial ambiental encaminado a generar impactos sociales positivos en los procesos directivos, administrativos, financieros, y de la comunidad, con el uso eficiente de los recursos naturales y por medio de una gestión responsable que conlleve a generar valor económico, ambiental, cultural y social en la región

The exchange that occurs in universities when they participate in international rankings is an important space to share and grow in the academic production of teachers and in the training of students. At the beginning, the sustainable social responsibility system was adhered only to the industry due to the increase in large-scale production; however, the academy has taken a voice and vote on this climate phenomenon. This is why projects aimed at sustainability have been proposed in universities that aim at a green economy. Likewise, the UI Green Metric Rankings allows higher education institutions worldwide to measure their sustainable actions in different categories on a voluntary basis.For this reason, this article presents the best practices of the University El Bosque against the different indicators that the UI Green Metric measures, such as infrastructure, energy and climate change, waste, water, transport and education. Consequently, the concept of sustainability has become a vital element for the development of programs that involve the institution in internationalization through the global recognition generated by being participants and being able to be in the range of green universities.As a conclusion of this exchange, Based on responsible production methods with the natural and social environment or Clean Modalities, a production cycle is proposed that opens the possibility of integrating with other related production systems that receive their waste as raw materials in a network, this is Symbiotic Cycle. To arrive at the approach of a symbiotic disposal of waste as inputs with other production systems in such a way as to consolidate a set of sustainable organizations that collaborate with each other and that continuously recover the value to increase efficiency.Keyword: sustainability, green economy, sustainable development

Un viaje por los senderos, rituales y vivencias gerencia cultural de turismo en sitios arqueológicos.A journey through trails, rituals and life experiences cultural management of tourism in archaeological sites Rico Ramírez Mónica SofíaResumen ue es el viaje, sino la posibilidad de encuentros con significados y representaciones que se van volviendo experiencia? Distintivamente, en esta era de la posmodernidad, el concepto que esta imperando es el de Turista, un concepto de naturaleza comercial, donde la finalidad es establecer intercambios comerciales, con un pago económico, en torno a las visitas o recorridos, no necesariamente planeados.Practicas cotidianas que se vuelven políticas turísticas, atractivas por los ingresos de dinero, donde se propone atraer a la mayor cantidad de visitantes durante cada temporada, asociada a festividades, celebraciones religiosas, muestras gastronó-micas, en si, todo lo que la cultura posibilite como atractivo de celebrar, conmemorar, conocer o simplemente algo nuevo que ofrezca una ruptura de la soledad, como acompañante. QAbstract he trip, is the possibility of find meanings and representations that are becoming experience. Distinctively, in postmodernity, the prevailing concept is the Tourist point of view, a concept of commercial nature, where the purpose is to establish commercial exchanges, with an economic payment, around visits or tours, not necessarily planned.Daily practices that become tourist policies, attractive for the money income, where it is proposed to attract the largest number of visitors during each season, associated with festivities, religious celebrations, gastronomic samples, in itself, everything that culture makes possible as attractive to celebrate, commemorate, meet or simply something new that offers a great time, or the encounter of experiences that acquire meaning.