Nightmares influence the mental health of university students, but the prevalence of nightmare and nightmare disorder requires additional documentation. The data of detailed nightmare experience of nightmare disorder and related depressive mood in this population are also scarce. First, a total of 1,451 students in a comprehensive Chinese university were invited to report their nightmare frequency. Sixty-eight patients with nightmare disorder were diagnosed using a semi-structured clinical interview according to the Diagnostic and Statistical Manual of Mental Disorders (5th ed.; DSM-5; American Psychiatric Association, 2013). Second, 60 patients with nightmare disorder (8 of 68 patients were dismissed due to data incompletion) and 124 gender-matched, healthy students were invited to answer the Nightmare Experience Questionnaire (NEQ) and the Plutchik-van Praag Depression Inventory (PVP). Of 1,451 students, 923 reported nightmares (its annual prevalence was 63.61%), and 68 were diagnosed with nightmare disorder (its prevalence was 4.69%), with a female preponderance. The mean PVP and four NEQ scale scores in patients were higher than those in healthy students. The PVP scores were correlated with NEQ Physical Effect in patients, and with Negative Emotion in healthy students. This is the first report regarding nightmare disorder prevalence and detailed nightmare experience in university students. The findings of a high prevalence of nightmare disorder in women and elevated scores of nightmare experience among patients in the university population might help address the mechanisms and the management of patients with nightmare disorder.

BackgroundPrevious studies of musical emotion largely depended on the lexical approach which suffered from overlaps between emotions.MethodsIn the present study, we explored emotional domains through a dimensional approach based on the intensity ratings on the emotion perceived in music. Altogether, 488 university students were invited to listen to 60 musical excerpts (most of them classical), to rate the intensity of emotion perceived without naming the emotion. Later, we conducted the exploratory factor analysis on the intensity ratings to look for the latent structures of musical emotion and then applied the confirmatory factor analysis to verify the validity of the proposed model of emotional structure.ResultsAfter first- and second-order factor analyses, seven emotional factors (domains, with 38 musical excerpts) were identified: Happiness, Tenderness, Sadness, Passion, Anger, Anxiousness, and Depression, which formed a satisfactory model. No gender difference was found regarding the perceived intensity of musical emotion.ConclusionOur study has offered evidence to delineate basic musical emotions into seven domains.

Since the new era,the theory and practice of the Chinese dream have become the hot spot of academic research.The academia has conducted in-depth research on the background,core connotation,essential characteristics and realization path of the Chinese dream,and has achieved fruitful research results.However, there are still a lack of systematic integration of Chinese dream theory,lack of historical traceability of Chinese dream theory,lack of integration of Chinese dream and other disciplines,which need to be further discussed in the academic circles.

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