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In urban Nigeria, the profile of photography as an art form is on the rise and the work of female artists is coming to global attention. This article argues for a more nuanced analysis that reflects on image objects that 'speak back' to issues of inequality and challenge centre/periphery sightlines that remain salient within a transnational, interconnected ecosystem. 'Picturing women' alludes to the active intersection of the feminine as framed identity within a context of unequal power relations at the global and local level. Through the prism of three key pieces from artists Ndidi Dike, Adeola Olagunju and Jumoke Sanwo, based in Lagos, Nigeria, I trace the use of lens-based media within their respective practice.What emerges is the relevance of enduring ways of seeing and being from a local ethnographic context that challenge the powerlessness discourse that so often frames visions of Africa. The concept of 'impaired citizenship' from the work of theorist Ariella Azoulay provides a helpful provocation to think about the particularities of place that photography unsettles to propose connectivity beyond borders. In conclusion, the article calls for more critical engagement with discursive questions of difference to counter persistent opacities and silences.

The transnational movements of Africans within the continent are seldom conceptualised as leading to diasporic identifications and relationships. In stark contrast, the migration of Africans beyond the continent, which occurs on a smaller scale, is routinely associated with diaspora formation. Drawing on fieldwork with migrants from Anglophone and Francophone West Africa and the Horn of Africa living in Lusaka and Kampala, this paper explores whether their movements gives rise to the formation of diasporic connections that sustain and reproduce identifications with the place and people of origin, over distance and through generations. The analysis illustrates how different layers of 'origin' and 'destination' factors interact to reinforce or undermine diasporic identifications in Africa's urban landscapes. The homeland where mobility is embedded in socioeconomic relations that embrace transnational linkages may perpetuate connections. The conditions of urban life that impose pressures to remain outsiders may perpetuate exclusion and hinder integration.