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This paper addresses the proposition of experiential design approaches in Human Computing Interaction [HCI] and Human Interface Devices [HID]. To amplify the relationship between performer and the spectator when using emergent technologies with real time performance tools, the author refers to a set of self-crafted electronic-performance tools and a performance. This paper opens a pathway for a larger proposal that asks the reader to consider: What are the ways in which we can engineer interfaces that validate the circulation of subjugated knowledges? Fig. 2. Paraphernalia voice modifier, 2009. (Artist | Photo © Nancy Mauro-Flude.)

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This chapter imagines alternative possibilities for digital humanities scholarship. Beyond technological pragmatism, the inquiry instead points to a richer engagement with digital infrastructure that can occur through the application of software literacy and expanded cultural practices derived from speculative traditions of thinking and feminist internet criticism. New methodologies are introduced, providing experimental models of engagement that allow for distinctive forms of performative and the development of dynamic and diverse knowledge.