Participatory research is sometimes difficult and risky, but there is a paucity of opportunities – and some reluctance – to reflect on its challenging aspects. In this article, we present subjective accounts of our everyday experiences of conducting participatory research as women researchers. We focus on four themes from our combined research experiences to explore some of the frustrations we encounter in participatory research. We argue that it is crucial to identify, reflect upon and address such aspects in academic outputs to broaden debates and scholarly discussions. We offer these reflections, and related strategies, as a contribution to critical debates on participatory research practice.

This article presents reflections from a participatory visual arts-based research study with individuals seeking asylum in the north-east of England. This study invited participants to represent their lived experiences through biographical and visual methods. In doing so, they engaged in a process of ethno-mimesis, accomplished through the production of images that function as sites for meaning making, self-representation and social critique. This article demonstrates how an arts-based approach can stimulate change and transformation in individuals’ lives by supporting meaningful participation in the knowledge production process and providing a safe space where participants are empowered by sharing stories that challenge, subvert and reimagine what it feels like to be an asylum seeker. Furthermore it suggests that in contrast to interview settings, through the process of ethno-mimesis participants were offered the time and space to consciously engage with their experiences and invest in their creativity and storytelling capacities in order to render their worldviews visible. Although the findings from this study reinforce an existing rich body of ethnographic work on lived experiences of asylum seekers, this study recognizes that the identified themes highlight the enduring impact of immigration policies on individuals asylum-seeking trajectories and focuses instead on how such experiences are creatively negotiated by participants.

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