We present ESPnet-ST, which is designed for the quick development of speech-to-speech translation systems in a single framework. ESPnet-ST is a new project inside end-toend speech processing toolkit, ESPnet, which integrates or newly implements automatic speech recognition, machine translation, and text-to-speech functions for speech translation. We provide all-in-one recipes including data pre-processing, feature extraction, training, and decoding pipelines for a wide range of benchmark datasets. Our reproducible results can match or even outperform the current state-of-the-art performances; these pretrained models are downloadable. The toolkit is publicly available at https://github. com/espnet/espnet.

Sequence-to-sequence (seq2seq) approach for low-resource ASR is a relatively new direction in speech research. The approach benefits by performing model training without using lexicon and alignments. However, this poses a new problem of requiring more data compared to conventional DNN-HMM systems. In this work, we attempt to use data from 10 BABEL languages to build a multilingual seq2seq model as a prior model, and then port them towards 4 other BABEL languages using transfer learning approach. We also explore different architectures for improving the prior multilingual seq2seq model. The paper also discusses the effect of integrating a recurrent neural network language model (RNNLM) with a seq2seq model during decoding. Experimental results show that the transfer learning approach from the multilingual model shows substantial gains over monolingual models across all 4 BABEL languages. Incorporating an RNNLM also brings significant improvements in terms of %WER, and achieves recognition performance comparable to the models trained with twice more training data.

[abstFig src='/00290001/04.jpg' width='300' text='Using a deep learning model, the robot locate the sound source from a multiple channel audio stream input' ] This study proposes the use of a deep neural network to localize a sound source using an array of microphones in a reverberant environment. During the last few years, applications based on deep neural networks have performed various tasks such as image classification or speech recognition to levels that exceed even human capabilities. In our study, we employ deep residual networks, which have recently shown remarkable performance in image classification tasks even when the training period is shorter than that of other models. Deep residual networks are used to process audio input similar to multiple signal classification (MUSIC) methods. We show that with end-to-end training and generic preprocessing, the performance of deep residual networks not only surpasses the block level accuracy of linear models on nearly clean environments but also shows robustness to challenging conditions by exploiting the time delay on power information.

Synthesizing human's movements such as dancing is a flourishing research field which has several applications in computer graphics. Recent studies have demonstrated the advantages of deep neural networks (DNNs) for achieving remarkable performance in motion and music tasks with little effort for feature pre-processing. However, applying DNNs for generating dance to a piece of music is nevertheless challenging, because of 1) DNNs need to generate large sequences while mapping the music input, 2) the DNN needs to constraint the motion beat to the music, and 3) DNNs require a considerable amount of hand-crafted data. In this study, we propose a weakly supervised deep recurrent method for real-time basic dance generation with audio power spectrum as input. The proposed model employs convolutional layers and a multilayered Long Short-Term memory (LSTM) to process the audio input. Then, another deep LSTM layer decodes the target dance sequence. Notably, this end-to-end approach has 1) an auto-conditioned decode configuration that reduces accumulation of feedback error of large dance sequence, 2) uses a contrastive cost function to regulate the mapping between the music and motion beat, and 3) trains with weak labels generated from the motion beat, reducing the amount of hand-crafted data. We evaluate the proposed network based on i) the similarities between generated and the baseline dancer motion with a cross entropy measure for large dance sequences, and ii) accurate timing between the music and motion beat with an F-measure. Experimental results revealed that, after training using a small dataset, the model generates basic dance steps with low cross entropy and maintains an F-measure score similar to that of a baseline dancer.

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