political tradition () as a 'popular history'. It uses documents drawn from Hofstadter's personal papers, those of his publisher Alfred A. Knopf, Inc., as well as several of his contemporaries, to pursue a detailed reconstruction of the manner in which the book was written, edited, and reviewed, and to demonstrate how it circulated within, and was defined by, the literary culture of the s and s. The article explores Hofstadter's early career conception of himself as a scholar writing for audiences outside of the academy, reframes the significance of so-called 'middlebrow' literature, and, in doing so, offers a fresh appraisal of the links between popular historical writing, liberal politics, and the role of public intellectuals in the post-war United States.* I would like to thank Jonathan Bell, Owen Dudley Edwards, Dan Geary, Simon Hall, Iwan Morgan, Michael O'Brien, Lydia Plath, Leo Ribuffo, Dan Scroop, Robin Vandome, and several anonymous reviewers for the incisive critical readings and thoughtful comments they provided as I wrote and revised this article. I am grateful to Andrew Preston for steering me through the editorial process, and to Eric Foner for generously permitting me to quote from an oral history interview about Richard Hofstadter that he recorded in . I would like to acknowledge funding I received to undertake research on the article from the US-UK Fulbright