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This study investigates the meaning construction of the South Asian Indian term izzat or face in intergenerational contexts. Interpretive thematic analysis revealed six themes. Key findings indicate: (1) for both older and younger South Asian Indian American (SAIA) generations, family izzat is of primary importance; (2) the motif of "respect" is central to both SAIA generations' in their narratives of izzat; (3) both older and younger SAIAs use the concealment-preventative and diversion-restorative facework strategies to save face. These findings uncover intergenerational communication challenges concerning the shifting boundary parameters of izzat in the diasporic Indian community in the US.

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This article examines how the Netflix series Sense8 uses multiracial, transnational characters and relationships as a form of transgression over restrictive racial and sexual categories and their subsequent oppression. In Sense8, the characters' erotic desires for the other are represented as the entry into a deracialized, dehistoricized, depoliticized and liberal global public sphere. Sexual pleasure with the colonized, racialized and gendered other is represented as a form of transgressing and transcending the limitations of the body that non-western and non-white bodies perpetually remain trapped in. These representations are also normalizing tropes of queer utopias that do not acknowledge the intersectional erasures that continuously occur in this series. As transnational scholars from Ghana, India and China, who are situated in daily inter-racial relations, we challenge the simplistic and uncritical viewing of Sense8 through our hybrid postcolonial subjectivities.