Collectivisation in the Soviet Union, including the Baltic States, involved many aspects related to living conditions and architecture. One of the dominant images of village centres in Estonia and Latvia is that of the standardised urban forms of blocks of flats and other buildings such as schools and administrative buildings. On collectivisation, new village centres arose, promising “Urban lifestyles in a rural setting”. There are very few designs for blocks of flats – standardisation came in with Krushchev and the first generation of flats built of white brick became known as Krushchevki. Alongside these were buildings to serve as places where the new Soviet cultural activities could take place – the Dom Kultura which, in contrast to the standard flats, was often of a special one-off design. These can often be found to be abandoned and derelict nowadays, since they have no function and represented the Soviet regime. The objective of this study was to examine the plans and initial proposals for several kolkhoz centres and, using computer aided-design, to recreate 3D models of the building ensemble as it was originally planned, to compare this to what was actually built and to what remains now and the extent to which they are still used. We found that while the standard flats were built according to plan, external landscape features were often omitted. The unique designs of the culture houses often contained many interesting Modernist or even post-modernist features but changed during construction and were often built of poor materials and finishes. They were vandalised, robbed of materials and are now abandoned in many cases. Their architects often went on to make a post-Soviet career and there is considerable interest in their designs. They represent a lost legacy of the period.

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In every country, state symbols such as the national flag, emblem, and national anthems represent the independence and sovereignty of the state. In the Soviet Union as well as in other autocratic states symbols also played an important role in propaganda, influencing peoples’ attitudes to the actions of the state at all levels. These symbols could also be found, together with powerful imagery in posters, on buildings, monuments and many other things visible and incorporated in the routine life the people. Ukraine has huge historical heritage of symbolism and propaganda from when the country was a major part of the USSR. After the creation of the USSR a political, socio-economic, cultural and spiritual experiment on the construction of a communist society, which in the case of Ukraine was unprecedented in scale and tragedy, began. The collectivization of the village is one of the most tragic pages in the history of Ukraine. As the most important grain-growing region of the country at the time its production was vital to feed the growing cities and industrialisation. The forced collectivisation led to starvation in the 1930s and millions of people died. In order to counter this most public information showed people another side of collectivization. Propaganda was used, such as posters and slogans, to persuade the peasants to join the collective farms and to promote the real or fictitious results of the workers, and, conversely, to attack people who did not want to believe in the “bright future” of the USSR and to denounce “kulaks” and “saboteurs”. Materials from archives and published sources show many examples of Ukrainian images and symbols of that time which shed a light on the way the collectivisation process was portrayed and promoted.