Dances are part of our socio cultural identities in Nigeria. They are performed for different purposes and at different settings such as home, social gatherings, religious centres, schools, concert halls, dance halls and theatres. Some dance steps are peculiar to certain ethnic groups within each geopolitical zone in Nigeria. These peculiarities of dance steps are seemingly going into oblivion. This paper seeks to find out reasons for the erosive state of these dance steps and reasons for the consequent emergence of modified dance steps. Primary data were collected through oral interview of selected dance groups in Ile-Ife, Ibadan, Ijaw, Calabar, Istekiri and Jos metropolis. Secondary data were collected by reviewing works of scholars in published books and articles from national and international journals. The findings reveal that the emergence of modified dance steps has now become an accompaniment to popular music as against the conventional concept of music as an accompaniment to dance. These dance steps become more popular than the traditional dances and adapted as homely dances in all the selected geo-political zones in Nigeria. The paper concludes that the emergence of modified dance steps has eroded and sniffed the dance peculiarities of these towns as a result of popular music artiste's quest for identity and unity of dance steps to their music.

Within the traditional African setting, the values of an African mother in the domestic and societal ambience have called for great concerns. Akinjobi (2011, p. 2) examines African Motherhood as a sacred as well as a powerful spiritual component in the nurturing and development of an African child. The scope of this paper therefore, is to examine the position of Jimi Solanke on the values of African mothers as advocated in some of his purposively selected songs which address the values and position of motherhood as caretakers of children and strongholds in African homes. The paper adopts oral interview, the theory of Womanism and Feminism as rightly observed by Sotunsa (2008, pp. 227–234) as its methodological approaches and largely concentrates on the experience of an African mother, the family relationship as well as the importance of motherhood in her role as an African child nurturer and developer. The paper finds out that Jimi Solanke has not only appraised the values of African mothers, but also expressed severe consequences on any African child who despised or despoiled an African mother.

The study examines the exposure to excessive sound volume as a major challenge to grapple with in church auditoria in South-western Nigeria. This exposure to excessive sound has become a source of noise pollution and it is dangerous to human health. Data for this paper were gathered through participant observation of musical acoustics in worship auditoria using a Virtual Instrument; a Sound Pressure Level mobile application installed on a mobile phone for sound volume measurement. The equivalent noise level using A-weighting was taken for twenty minutes per day, this was observed for the three different worship services at different dates and time in each of the selected church auditoria during each worship service. The LAeq, T, of each musical session was calculated. Findings show that the worshippers are exposed to average noise levels of 90.29 dB (Threshold of Pain) at every worship service which is higher than the recommended 60dB for normal human ear by World Health Organization (WHO). It was also observed that all the selected church auditoria lack appropriate acoustic treatment which led to sound reflections and severe echo. The paper concludes that the culture of noise pollution has become a social phenomenon in the Nigerian society especially, in church auditoria where loud musical sound is arrogated to power and domination of space. This paper recommends that acceptable optimal standards for sound production either in enclosures or in open spaces be emphasized by the Nigerian local, state and federal governments to effectively control noise for human and societal wellbeing.