The external sixteenth century wall paintings of St. Dumitru's Church in Suceava (Romania) are suffering visually from deterioration. Fragments of these paintings spallated from the external wall have been studied by micro-Raman microscopy in order to elucidate possible causes of this process. Calcite and alpha-quartz are the components of the substratum indicating that the artists used the Roman fresco technique comprising a limewash putty. No organic binders have been detected in the substrate or pigment application. Amorphous carbon and goethite, alpha-FeOOH, have been identified in areas containing residues of grey and yellow pigments, respectively. Small amounts of gypsum have been detected in the grey areas which we attribute to special attention being given to surface preparation and pigment application in these areas. An abundance of sodium nitrate, nitratine, microcrystals have been observed on the surfaces of many fragments which suggests that a biodeterioration process originating from guano deposits could have been operating in these frescoes.

One of the most beautiful elements of cultural heritage in Romanian villages is the Transylvanian wooden churches. Unfortunately, these heritage elements have experienced considerable deterioration. This paper presents the results of a project whose main goal was the scientific investigation of the Imperial Gates belonging to the wooden church in Sălis , ca, Cluj County, Romania. To digitally preserve and document the Imperial Gates, a scientific investigation into the wooden support and the painting materials (ground, pigments) were performed using Fourier transform infrared (FTIR) and x-ray fluorescence (XRF) spectroscopy. FTIR spectroscopy provided information about the wooden support, whereas XRF and FTIR methods were used to structurally characterize the painting materials. These structural data were correlated with the artistic, theological, and historical analysis of the religious heritage monument. Starting from the information acquired about the wooden support and the painting materials, the Imperial Gates were three-dimensional (3D) scanned using state-of-the-art laser scanners. The digitization of the Imperial Gates and the interior of the church was performed to maintain the current preservation status and disseminate this information to the public using online instruments.

In Romania and especially in Transylvania the process of creating icons implied the use different supports, mainly wood and glass. Samples have been collected from various areas of these religious artefacts. The analyses carried out were FTIR spectroscopy and mass spectrometry; they have helped to identify the pigments and binders specific for the technique of execution. The information obtained through these procedures is part of the identification elements of the icons' period and school, and in the end it contributes to the technical expertise of these artefacts.

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In order to preserve and restore the Imperial Gates from the Petrindu wooden church, Salaj County, Romania, (map location—latitude, longitude: 46.97, 23.19), the scientific investigation of the wooden support and painting materials (ground and pigments) was performed, employing Fourier‐transform infrared spectroscopy (FTIR), X‐ray fluorescence spectroscopy, and 3D scanning. FTIR spectroscopy offered information about the wooden degradation stage, whereas X‐ray fluorescence and FTIR spectroscopic methods were employed for structural painting materials characterization. The structural data can be correlated with the artistic, theological, and historical analysis of this religious patrimony object. After obtaining information about the wooden support and painting materials, the Imperial Gates were 3D digitized using state of the art laser scanning technology. The digital 3D model obtained was restored in a virtual environment and converted into an interactive 3D model that can be used for Romanian cultural heritage digital dissemination.