At the border between information and entertainment, memes and newsgames aresome of the news formats that, made viral in social networks, complement the informational experience and compete with the traditional news media in constructing alternative readings of the real. If in the light of Bakhtine (apud Ponte, 2004) journalism can be understood as a secondary discursive genre that feeds on primary genres, how to understand the circulation of these discourses produced from journalistic events in social networks? On the other hand, how are these narratives appropriated by the media? What functions do they play in media discourse? In this article we present some examples of products created from events of political impact for than register, by the analysis of a set of news stories, how the digital press, in the Iberian context, make use of them. The purpose of this article is to contribute to the reflection on how the information media relate to these new narratives.

Major changes demand exertions of the imagination. Costa Rica possesses significant challenges in its Nationally Determined Contribution presented in 2020 (NDC 2020), the National Decarbonization Plan, and the National Adaptation Policy; meeting them requires work, commitment, and creative work that enables us to visualize it. These stories offer us a glimpse into the future we aspire to and the future we fear, a glimpse of what is coming and what could come. Costa Rica has the economic and technological conditions for transformation. Having the necessary conversations to promote it is still pending, conversations in which citizens feel involved. With this in mind, we propose these stories as a way to start the discussion and invite us to contemplate what could come and what we could do to build a better future.

Durante algunas décadas, el reconocimiento del valor de las actualidades cinematográficas y su discusión como registro del pasado estuvieron circunscritos al ámbito archivístico, histórico y televisivo. Apreciados sobre todo por su valor patrimonial y por la curiosidad que suscitan, gracias a la digitalización, estos filmes alcanzan nuevos públicos a través de su divulgación en sitios web, y redes sociales, de diversa naturaleza y con propósitos variados. Con el fin de discutir estos nuevos contextos en línea, proponemos una reflexión sobre las formas de presentación y valoración de dichos recursos fílmicos en archivos de carácter público y comercial. Basándonos en una ficha descriptiva y en una serie de indicadores sobre el acceso a la información, la interacción, el uso de las redes sociales y la contextualización de contenidos, analizamos los sitios web de Gaumont Pathé Archives, British Pathé, Archivo Histórico NO-DO y Archivio Luce. Partimos de la hipótesis de que los extintos noticiarios cinematográficos, en cuanto género precursor del infoentretenimiento audiovisual, sobreviven a la luz de nuevas lecturas, estrategias y usos, con implicaciones para la memoria y la literacía mediática.