The problem of pitch tracking has been extensively studied in the speech research community. The goal of this paper is to investigate how these techniques should be adapted to singing voice analysis, and to provide a comparative evaluation of the most representative state-of-the-art approaches. This study is carried out on a large database of annotated singing sounds with aligned EGG recordings, comprising a variety of singer categories and singing exercises. The algorithmic performance is assessed according to the ability to detect voicing boundaries and to accurately estimate pitch contour. First, we evaluate the usefulness of adapting existing methods to singing voice analysis. Then we compare the accuracy of several pitchextraction algorithms, depending on singer category and laryngeal mechanism. Finally, we analyze their robustness to reverberation.

Various parametric representations have been proposed to model the speech signal. While the performance of such vocoders is wellknown in the context of speech processing, their extrapolation to singing voice synthesis might not be straightforward. The goal of this paper is twofold. First, a comparative subjective evaluation is performed across four existing techniques suitable for statistical parametric synthesis: traditional pulse vocoder, Deterministic plus Stochastic Model, Harmonic plus Noise Model and GlottHMM. The behavior of these techniques as a function of the singer type (baritone, counter-tenor and soprano) is studied. Secondly, the artifacts occurring in high-pitched voices are discussed and possible approaches to overcome them are suggested.

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In this paper we present the work that has been achieved in the context of the second version of the RAM-CESS singing synthesis framework. The main improvement of this study is the integration of new algorithms for expressive voice analysis, especially the separation of the glottal source and the vocal tract. Realtime synthesis modules have also been refined. These elements have been integrated in an existing digital instrument: the HANDSKETCH 1.X, a bimanual controller. Moreover this digital instrument is compared to existing systems.

Abstract. This paper presents the results of our participation to the ninth eNTERFACE workshop on multimodal user interfaces. Our target for this workshop was to bring some technologies currently used in speech recognition and synthesis to a new level, i.e. being the core of a new HMM-based mapping system. The idea of statistical mapping has been investigated, more precisely how to use Gaussian Mixture Models and Hidden Markov Models for realtime and reactive generation of new trajectories from inputted labels and for realtime regression in a continuous-to-continuous use case. As a result, we have developed several proofs of concept, including an incremental speech synthesiser, a software for exploring stylistic spaces for gait and facial motion in realtime, a reactive audiovisual laughter and a prototype demonstrating the realtime reconstruction of lower body gait motion strictly from upper body motion, with conservation of the stylistic properties. This project has been the opportunity to formalise HMM-based mapping, integrate various of these innovations into the Mage library and explore the development of a realtime gesture recognition tool.