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Over the past two decades, geographers have probed the intersection of collective memory and urban space. Their sustained interest in the subject reflects an understanding of the social condition of commemoration and the important role that space plays in the process and politics of collective memory. Along with other critical social scientists, geographers envision these public symbols as part of larger cultural landscapes that reflect and legitimate the normative social order. A review of the extant literature indicates that geographers scrutinize memorial landscapes through three conceptual lenses that may be understood via the metaphors of 'text,' 'arena,' and 'performance.' These metaphors are in turn mobilized through a series of analytic questions that serve to identify the interests served and denied by landscape 'texts,' the 'arenas' in which they are produced, and the ways in which they are enacted via 'performance.' This article's synopsis of the subfield's predominant metaphors and its attendant questions contributes to the ongoing cultural geographic project of articulating and implementing methods for interpreting landscapes as open-ended symbolic systems.

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Produced over the past decade, monuments and museums dedicated to the Civil Rights movement of the 1950s and 1960s have desegregated America's memorial landscape. Tracing a broad arc across the US South, the material elements of this landscape-historic markers, monuments, parks, registered buildings, and museums-present a distinct challenge to representations of an elite, white American past. This challenge, however, is offered in a distinctly gendered manner, inasmuch as the role of women in organizing and leading the movement is obscured. Further, the historical narratives concretized at these sites are mediated by conventions associated with civil rights historiography and the tourism development industry. The result is a complex, sometimes ironic landscape. Via the narratives they embed and the crowds they attract, these landscapes are co-constitutive with contemporary politics of representing the past in the United States. This paper offers an overview of current memorial practices and representations of the Civil Rights movement found at the country's major memorial landscapes.