The aim of this article is to understand an important passage in the history of the sciences of the psyche: starting from the psychiatric problematization - and the consequent emergence - of the concept and the object called "sexuality" in the second half of the 19th century, it attempts to show a series of continuities and discontinuities between this kind of reasoning and the birth of psychoanalysis in the first years of the 20th century. The particular focus is therefore directed on two texts: Krafft-Ebing's "Psychopathia Sexualis" and Freud's "Three Essays on the Theory of Sexuality." The argument runs along three intertwined axes: (1) an historico-epistemological analysis of the concepts and their transformations in the field of the science of sexuality; (2) an analysis of the power relationships between patients and physicians; and (3) an account of the psychiatric technologies of the self that have as an effect the emergence of new forms of "objective" knowledge of the subject. The broader goal is to trace a map of the simultaneous and correlate coming into being and transformations both of new forms of objects and of new forms of subjects through the mediation of scientific concepts and techniques.

This article analyzes the career of Giovanni Battista Cortesi (1552-1643)-the son of a poor tailor who started his career as barber and steam bath attendant and became university professor at Bologna and Messina-and places it in the context of the profession of surgery in early modern Italy. The article investigates how a surgeon had to establish close relationships with universities, civic authorities, wealthy upper-class patients, hospitals as sites of clinical education and acquisition of manual skills, the printing industry and the book market, and students. Moreover, the article explores the fluidity of professional and cultural boundaries between learned and empirical knowledge from the perspective of a graduate surgeon who was not supposed to be. Finally, the article aims at describing the figure of the "graduate surgeon," typical of the Italian medical landscape.

In 1597, Gaspare Tagliacozzi published a famous two-volume book on “plastic surgery.” The reconstructive technique he described was based on grafting skin taken from the arm onto the mutilated parts of the patient's damaged face – especially noses. This paper focuses on techniques of grafting, the “culture of grafting,” and the relationships between surgery and plant sciences in the sixteenth century. By describing the fascination with grafting in surgery, natural history, gardening, and agronomy the paper argues that grafting techniques were subject to delicate issues: to what extent it was morally acceptable to deceive the eye with artificial entities? and what was the status of the product of a surgical procedure that challenged the traditional natural/artificial distinction? Finally, this paper shows how in the seventeenth century grafting survived the crisis of Galenism by discussing the role it played in teratology and in controversies on the uses the new mechanistic anatomy.

No abstract

In 2012 a manuscript was rediscovered in the Biblioteca dell'Archiginnasio of Bologna, titled Libro degli infermi dell'Arciconfraternita di S. Maria della Morte. It is the record of incoming patients of one for the main hospitals of the city, devoted exclusively to the sick poor and not just to the poor, called Santa Maria della Morte, compiled by a young student assistant (astante) for the period 1558-1564. I publish here a transcription of a portion of this Libro pertaining to the year 1560. My introduction situates the manuscript within the context of the history of early modern Italian hospitals, describes the organization of the hospital of Santa Maria della Morte based on archival sources of the period, and finally highlights the connections between surgical and anatomical education and the internal organization of the hospital.