The title of this article takes its inspiration from Blake's "The Tyger" and the notion of "fearful symmetry" as a way to conceptualize the inner world and experience of psychosis. Ignacio Matte-Blanco's work with bi-logic and symmetrical experience can provide an invaluable matrix for beginning to understand the language and symbols of psychotic thought process while working collaboratively with those who are often regarded as untreatable. In seeing psychosis as a symmetrical fusion of time, space, and identity, the authors have been able to step into "the forest of the night" and create a point of highly personal therapeutic contact through language, art, and ritual. The authors will provide case material to highlight this therapy.

The creation of narratives often allows individuals to bear witness to traumatic events. This study looked at connections between the processing of traumatic, affect laden experience and levels of symbolization and symmetry within the context of poetic expression. The sample for this pilot study is composed of selected works by Siegfried Sassoon (1886-1967), a British soldier-poet of the Great War. The language of the poems reflected the deepening trauma of the war experience by showing a progression toward paranoid (concrete)/symmetrical experiences. As the years passed and the poet was able to process the memory of the events, the poetry reflected a more balanced shift toward integration of depressive (symbolic)/asymmetrical experience. In terms of affect, the most significant changes were seen after Sassoon left the front and witnessed the flagrant dichotomy between civilian and military life. The results suggest a way in which traumatic events are processed. The routine horror and brutality of the Western Front initially lay outside of the realm of language and symbols and were thus highly concrete and unprocessed experiences. Time, place, and identity collapsed in on itself, leading to the increase of symmetrical experience, while the extreme "us versus them experience" of the trenches can be seen in the balance of asymmetrical experience. The study has implications for the treatment of war trauma, suggesting that writing provides a vehicle through which events can be processed and an internal sense of balance can be approached.

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