Homelessness is a persistent problem in the United States in general and in Southern California especially. While progress has been made in reducing the number of people experiencing homelessness in the United States from 2007 (647,000) to 2019 (567,000), it remains an entrenched problem. The purpose of this paper is to outline a novel, interdisciplinary academic-practice partnership model to address homelessness. Where singular disciplinary approaches may fall short in substantially reducing homelessness at the community and population level, our model draws from a collective impact model which coordinates discipline-specific approaches through mutually reinforcing activities and shared metrics of progress and impact to foster synergy and sustainability of efforts. This paper describes the necessary capacity-building at the institution and community level for the model, the complementary strengths and contributions of each stakeholder discipline in the proposed model, and future goals for implementation to address homelessness in the Southern California region.

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The art movement known as Afrofuturism uses various forms of artistic expression to create speculative fictions linking African-Americans’ ancestral past with envisioned, utopian futures. In the process, Afrofuturists shift the narratives that influence African-Americans’ lives from narratives of oppression to narratives that re-imagine a world in which African diasporic culture is at the center of social life. In previous analyses of the significance of Afrofuturism, however, the voices of actual artists are glaringly absent. Current public uprisings and demands for social reforms provide new opportunities for elevating Afrofuturism’s traditional emancipatory themes across digital platforms with a global reach. Using a critical race theoretical lens, this multimodal anthropological study focuses on the voices of contemporary Afrofuturists at the intersection of Afrofuturism, social injustice, and digital technology.