This paper is concerned with conceptions of mobility and immobility. Although I argue that practically everything is mobile, for mobility to be analytically useful as a term we must focus on the contingent relations between movements. Building upon theories of mobility from geography, sociology, cultural studies and, in particular, Urry's 'mobility/moorings dialectic', the paper draws these ideas out using examples from the airport terminal.
This paper explores how the mobile body and, specifically, the face have become a site of observation, calculation, prediction, and action in the process of moving across borders. The paper explores how in the circulatory space of the airport/border, the body's circulatory systems, biological rhythms, and affective expressions have become objects of suspicion—mobile surfaces from which inner thoughts and potentially hostile intentions are scrunitized, read, and given threatening meaning by the newest modes of airport security and surveillance. Examined according to the vectoral modes of historicity and virtual possibility, as well as the internal and external play of intention and feeling, the paper uncovers an increased attention to differential axes of mobility—of past and future, surface and interior. The paper situates these techniques within the preemptive biopolitical securitisation of mobility across borders which, it is argued, has found its referent object in the primal realm of affective capacities.
Surveillance is increasingly focused upon mobility. Be it in cities, shopping malls or outdoor 'public' spaces, surveillance is now able to track and monitor peoples movements. In recent years the most diverse forms of surveillance have been found at airports, yet paradoxically these spaces remain largely invisible within surveillance studies literature. This paper discusses a taxonomy of surveillance at the airport where several scales of mobility intersect – the global movements of international travel to local scale terminal activity. These are put under surveillance by techniques such as the passport and modern CCTV technologies. This paper illustrates the surveillant sorting that is perhaps most illustrative of airport surveillance, where airports can be seen to act as filters (Lyon, 2003) to the mobilities that pass through them. Using an Actor Network Theory (ANT) approach, trends to monitor the 'means of terrorism' are discussed in regard to the monitoring of objects and actors. The paper continues to critique the way by which we tend to focus chiefly upon the human subject of surveillance, often disregarding the surveillance of non-human actors.
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