Faced with widespread prejudice and discrimination, European Muslims are increasingly resorting to the European Court of Human Rights as a last-ditch strategy to transform state policies toward minority faiths. While the Court has a mandate to protect religious freedom and equality, the conservative and sometimes biased way in which it has interpreted these concepts has enabled the persistence of stark asymmetries in the legal and social statuses of different religions. Using an analysis of relevant cases, this article seeks to highlight the judicial processes that currently sustain Muslim subordination and pinpoint specific reforms that could reverse the trend.
P Bosset, 'La "crise" des accommodements raisonnables: Regards d'un juriste sur le rapport Bouchard-Taylor' ( 2009) 3(2) Revue de droit parlementaire et politique 323. 11 Charte affirmant les valeurs de laïcité et de neutralité religieuse de l'État ainsi que d'égalité entre les femmes et les hommes et encadrant les demandes d'accommodements, draft bill no 60 introduced by Bernard Drainville, Minister of Democratic Institutions and Citizen Participation.
On both sides of the Atlantic, the dissemination of non-Western artistic traditions among the general public has been hampered by the prevalence of Eurocentric aesthetic standards in cultural institutions and organizations. In recent years, however, some states have taken steps in order to increase the exposure of immigrant-origin artists in a variety of disciplines, including theatre, music, dance, literature, cinema and visual arts. This article offers a systematic comparison of two such initiatives that have been developed at the national level: the Equity Office of the Canada Council for the Arts and Spain’s network of cultural ‘Houses’ (Red de Casas). While the former was assigned a social justice mandate, the latter was created to further foreign policy goals through public diplomacy. These diverging approaches have created distinct funding opportunities, policy instruments and structural outcomes, with important implications for processes of artistic segregation and mainstreaming.
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