Old English fricatives at points of morpheme juncture are studied to determine whether they conform to the rule of voicing between voiced sounds that applies morpheme-internally. Should we expect a voiced or a voiceless fricative in words like OE heorð-weorod, Wulfweard, and stīðlīce? The evidence examined regards chiefly compounds and quasi-compounds (the latter comprising both forms bearing clear derivational affixes and ‘obscured’ compounds, those in which the deuterotheme has lost its lexical independence), though a small amount of evidence in regard to voicing before inflectional suffixes is considered. Evidence is derived from place-names, personal names, and common nouns, on the basis of Modern English standard pronunciation, assimilatory changes in Old English, modern dialect forms, post-Conquest and nonstandard Old English spellings, and analogous conditioning for the loss of OE /x/. A considerable preponderance of the evidence indicates that in compounds as well as in quasi-compounds, fricatives were voiced at the end of the prototheme when a voiced sound followed, but not a voiceless one. It follows from the evidence that there was no general devoicing of fricatives in syllable-final position in Old English, despite Anglo-Saxon scribes' use of <h> for etymological [Γ] in occasional spellings like <fuhlas> and <ahnian>. Old English spellings of this kind need be taken to imply nothing more than a tendency for <h> and <g> to be used interchangeably in noninitial positions, due to the noncontrastive distribution of the sounds they represent everywhere except morpheme-initially. Rare early Middle English spellings of this kind may or may not have a phonological basis, but they cannot plausibly be taken to evidence a phonological process affecting /v, ð, z/.
The problem under consideration is the exact nature of the application of High Vowel Deletion (HVD) in Old English. As discussed in §1, according to what has come to be the most prevalent view, a form such as nom.acc.pl. hēafdu‘heads’ in Late West Saxon, from earlier *hēafudu, is the phonologically regular result of the application of HVD. In §2 a recent alternative explanation is discussed, whereby *hēafudu should have produced *hēafd, which was subsequently reformed to hēafdu in West Saxon on the basis of analogy. Some initial difficulties that confront this latter explanation are discussed. The earlier analysis of Eduard Sievers maintains that neither of these analyses is correct, and that hēafudu, one of the forms actually attested in early texts, including the Vespasian Psalter, represents the purely phonological result of HVD, which applies vacuously to this form. Evidence is adduced in §3 demonstrating that the treatment of the phonological results of HVD in interrelated declensional categories in the dialect of the Vespasian Psalter are preserved with impressive conservatism, evincing little or no analogical disruption. This conclusion lends strong support to Sievers’ analysis of forms like hēafudu and renders it extremely improbable that West Saxon hēafdu can be anything but an analogical creation or that the proposed *hēafd could ever have existed. In §4 a rationale is offered for the changes, analogical or otherwise, that must be assumed for West Saxon in forms like hēafdu, as well as in ja‐stem neuter nouns with plurals like rīċu, wītu, along with feminine nouns in Germanic *‐iþō, such as and .
No abstract
In the twelfth-century Middle English Poema morale, perhaps the earliest English composition in a septenary meter, the metrical position at the end of the first hemistich is distinguished from all other positions in admitting a short syllable plus another in a pattern that would disrupt the meter, creating an extra unstressed syllable, if the two were not resolved, as in the word dede in the verse Ic welde more thanne ic dede; | mi wit oh to bi more. Here resolution seems to have been carried over from Old English into a Middle English isometric meter based on Latin models. This constitutes significant evidence for resolution as a genuine property of Old English verse, which in turn lends strong support to Eduard Sievers's metrical analysis of early Germanic alliterative verse. *
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