This article examines the visual culture of the late medieval great residence from the perspective of the female gaze. In 1466, the widowed Alice Chaucer, duchess of Suffolk (c.1404-75), moved several items from her London and East Anglian houses to her principal residence at Ewelme, Oxfordshire. A unique set of inventories reveals that the move anticipated the birth and baptism of one of Alice's grandchildren at that manor house. Focusing on the tapestries displayed in the main rooms of Alice's residence, this article argues that the rituals surrounding the birth of Alice's grandchildand their occurrence within a femaleheaded householdprovided a gendered viewing context, which both informed, and was informed by, their iconography. It considers how the mutually constitutive relationship between space, iconography and ritual would have authorised an event centred on female bodies, whilst also articulating Alice's authority as household and family matriarch.

This essay examines the rising interest in materiality and its impact on late medieval scholarship. Presenting an overview of the field, it considers how recent attention to physical spaces and objects has shed new light on the lives and experiences of late medieval men and women, and explores the sources and agendas driving new research. In particular, it evaluates the use of written evidence for accessing and investigating material culture, considering the types of documents informing material approaches, and the questions being asked of them. The analysis also reflects upon the distinct scholarly trajectories of building and landscape studies, and the disjuncture between medieval and early modern scholarship in this area. Providing an introduction to this special issue, it shows how the six contributors collectively address these lacunae to offer holistic readings of the relationships between people, places and possessions in late medieval England.

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This article investigates a devout society centring on the household of Margaret Beaufort (d. 1509) at Collyweston in Northamptonshire and St Katherine's guild in the neighbouring market town of Stamford in Lincolnshire. The discussion unveils Margaret Beaufort's place at the heart of a vibrant devotional community, whose members, among them a core group of lay and religious townswomen, were united by their geography and shared devotional interests. Ultimately, this article sheds new light on the overlapping spiritual networks of an important market town and the household of a highly influential noblewoman, whilst also demonstrating how Margaret's sponsorship of the society informed her self-fashioning as a pious matriarch of the house of Tudor.