Through in-depth analysis of the use of det ‘it, that’ and så ‘then’ occupying the first clausal position (the prefield) in Danish talk-in-interaction, this paper investigates how speakers use highly flexible linguistic elements to their advantage when commencing clauses in real time. These particular words are useful when occupying the prefield, because their flexible nature means that they can be used even when speakers do not have a full format ready for the carrier clause, as long as they have some idea of the interactional purpose of the clause and its information structural prerequisites. The dominating frequency of the most frequent clause openers goes largely unmentioned in previous accounts of the prefield, and the use of det ‘it, that’ and så ‘then’ challenges the popular notion that the textually unmarked prefield is also the grammatical subject of the carrier clause.

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It is a common process of language change for free morphemes to become bound morphemes, but the inverse process (termed ‘debonding’ by Norde 2009) is much rarer. Previous studies have found that lexemes with the original meaning ‘giant’ (German Riesen, Dutch reuze) have historically grammaticalized as prefixes, and subsequently debonded into free morphemes with the same bleached meaning as the prefixes (Van Goethem & Hiligsmann 2014; Norde & Van Goethem 2014). Using a synchronic corpus of written Danish (KorpusDK), this paper shows that the Danish word kæmpe, originally ‘giant’, is in the late stages of a similar process of debonding. By investigating the morphological and syntactic patterning of kæmpe, the paper shows that kæmpe has indeed debonded, and occurs as a free-standing semantically bleached adjective, but that it does not yet exhibit fully prototypical adjectival behavior. All three functions of kæmpe remain in use: a noun with the specific meaning ‘giant’, a semantically bleached prefix, and a corresponding semantically bleached adjective. This would argue against an account relying on abrupt category change, and it is proposed that kæmpe has reached its current status through gradual analogy-driven change.