Underwater noise, whether of natural or anthropogenic origin, has the ability to interfere with the way in which marine mammals receive acoustic signals (i.e., for communication, social interaction, foraging, navigation, etc.). This phenomenon, termed auditory masking, has been well studied in humans and terrestrial vertebrates (in particular birds), but less so in marine mammals. Anthropogenic underwater noise seems to be increasing in parts of the world's oceans and concerns about associated bioacoustic effects, including masking, are growing. In this article, we review our understanding of masking in marine mammals, summarise data on marine mammal hearing as they relate to masking (including audiograms, critical ratios, critical bandwidths, and auditory integration times), discuss masking release processes of receivers (including comodulation masking release and spatial release from masking) and anti-masking strategies of signalers (e.g. Lombard effect), and set a research framework for improved assessment of potential masking in marine mammals.

No abstract

Distance or contact calls of 6 unrelated adult male budgerigars (Melopsittacus undulatus) were recorded before and during 8 weeks of social contact. The 6 birds were housed in 2 separate groups of 3 each in adjoining cages. Birds in each cage could hear but not see the birds in the neighboring cage. At the beginning of the study, none of the birds shared any contact call types. The first appearance of 1 bird's imitation of a cagemate's contact call type occurred after 1 week. Call type repertoires continued to change; some call types dropped out of the repertoires, and others were modified over time. Birds in the same cage shared the same dominant call type 8 weeks later, and the dominant call types differed between the 2 cages. Thus, budgerigars can learn calls as adults, and call type convergence is achieved through mutual vocal imitation of social companions. In the absence of social but not aural contact, vocal imitation was greatly reduced.

No abstract

Operant conditioning and a psychophysical tracking procedure were used to measure auditory thresholds for pure tones in quiet and in noise for seven species of small birds-the budgerigar, canary, cockatiel, European starling, song sparrow, swamp sparrow, and the zebra finch. Audibility curves are roughly similar among the seven birds, with the maximum sensitivity between 2 and 5 kHz and poorer sensitivity outside this narrow region. Critical ratios (signal-to-noise ratio at masked threshold) were calculated from pure-tone thresholds in noise. Except for the budgerigar, the critical ratio functions of all birds increase at the rate of 3 dB/octave. This pattern is typical of that observed in most vertebrates. Critical ratios in the budgerigar, on the other hand, decrease gradually from 0.5 kHz to 2.8 kHz and increase dramatically above 2.8 kHz. The present research demonstrates that the critical ratio function for the budgerigar is not only different from other vertebrates but also different from other birds.