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Contemporary social theory has turned increasingly to concepts such as civil society, community, and the public sphere in order to theorize about the construction of vital, democratic, and solidaristic political cultures. The dominant prescriptions for attaining this end invoke the need for institutional and procedural reform, but overlook the autonomous role of culture in shaping and defining the forms of social solidarity. This article proposes a model of solidarity based on the two genres of Romance and Irony, and argues that these narrative forms offer useful vocabularies for organizing public discourse within and between civil society and its constituent communities. Whilst unable to sustain fully-inclusive and solidaristic political cultures on their own, in combination the genres of Romance and Irony allow for solidaristic forms built around tolerance, reflexivity, and intersubjectivity.

Since the early nineteenth century, African-Americans have turned to black newspapers to monitor the mainstream media and to develop alternative interpretations of public events. Ronald Jacobs tells the stories of these newspapers, showing how they increased black visibility within white civil society and helped to form separate black public spheres in New York, Chicago and Los Angeles. Comparing African-American and 'mainstream' media coverage of some of the most memorable racial crises of the last forty years such as the Watts riot, the beating of Rodney King, the Los Angeles uprisings and the O. J. Simpson trial, Jacobs shows why a strong African-American press is still needed today. Race, Media and the Crisis of Civil Society challenges us to rethink our common understandings of communication, solidarity and democracy. Its engaging style and thorough scholarship will ensure its appeal to students, academics and the general reader interested in the mass media, race and politics.

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