This research was based on the powerful function of the aesthetics in the society. Novel as an art work also functioned as an arena in which ideologies contest and negotiate. The research intended to show a mechanism underlining novel to have a significant hegemonic role. The material object was taken from Islamic popular novel namely “Ketika Mas Gagah Pergi dan Kembali”. The formal object was the negotiation of ideology which focused on the contact between intellectual and subaltern leading to the formation of a new compromised cultural practice. By applying the theory of hegemony in discussing the contestation and negotiation of ideologies in the novel, it is found that the contestation and negotiation between hegemonic and subaltern ideology lead to the occurrence of a compromise between the interest of the intellectual and the subaltern. The interest of the subaltern is based on the nostalgia of the past and fear or uncertain condition of future which lay in the domain of imagination that structures the novel.

It is commonly believed that obtaining a higher education is one way to elevate people's social class. Two movies, the Indonesian film Alangkah Lucunya (Negeri Ini) ALNI (2010) and the Korean Parasite (PR) (2019), challenge this common belief. The two movies criticize higher education by conveying the message in satire. To unveil the meaning of the two movies' social satires, this study used Roland Barthes's structural semiotic analysis on five primary codes to explore the codes that regulate the structure of the narrative of the text (film) to find similarities and differences of their focus of criticism regarding higher education. The use of satiric form to contrast and juxtapose the rich and the poor, and the educated and uneducated shows that both Alangkah Lucunya (Negeri Ini)  and Parasite uncover the influence of neoliberalism in the formal educational system that gives an impact to both lower and higher class, either in developed countries or developing countries. The satire content is intended to attract attention and to inspire people to move to change the situation.

Artikel ini bertujuan untuk mengungkapkan persepsi penerima telepon magis dari surga tentang kebenaran sebuah peristiwa magis dalam novel The First Phone Call from Heaven karya Mitch Albom. Novel ini dianggap menggunakan format realisme magis yang mencampurkan antara kenyataan dan fantasi. Pergerakan persepsi karakter novel dari tidak mempercayainya sebagai kebenaran menjadi sebagai kebenaran yang mutlak menjadi fokus penelitian ini. Permasalahan yang diangkat dalam penelitian ini ditelusuri dengan menggunakan kerangka teori yang dikemukakan oleh Linda Hutcheon tentang representasikan masa lalu dalam narasi. Penelitian ini menemukan bahwa penerimaan tokoh dalam novel terhadap kejadian magis yang tidak dapat dipercaya menjadi sebuah kemutlakan yang tak terbantahkan melalui proses dialektika yang logis melalui ingatan masa lalu yang kemudian membangkitkan perasaan tokoh. Ketidakrasionalan suatu peristiwa dapat dirasionalkan dan diterima oleh akal dengan menampilkan masa lalu melalui ingatan tokoh. Ingatan memancing sentimental sehingga peristiwa yang rasional dapat diterima karena dukungan dari domain rasa bukan nalar. Sentimentalitas adalah strategi dalam narasi untuk mengaburkan antara real dan yang tidak real.

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