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the music for it. He didn't do anything, ostensibly, but stand around. But his thriller broke new ground by using the camera as the shark's point of view, with a rising heartbeat thumping in the soundtrack to stir our visceral fears about an attacker in the water coming closer and closer.Spielberg made all the elements work together, making the film much more than the sum of its parts. The actors and crew could never have made Jaws by committee; they wouldn't have had a singular vision. But Spielberg had a vision. He took responsibility and made it work. Film directors might come from any walk of life. It doesn't matter what they've done before. What does matter is that they have a vision, they hold on to it, and they make it work.

Ruurd Priester Informaat, BV Jacob van Lenneplaan 57 NL-3740 AT Baarn +31 355431222 ruurd_priester@ informaat .nl ABSTRACT hispaper addresses a strategy designed to handle the increasing and broadening interactivity demands in software. This paper specifically looks into using other interdisciplinary areas of art and music as an inspiration material for creating new forms of user/computer communications. The projects looked at are a project for the Dutch Social Security System, a work-flow driven administrative application and ending with an in-depth look at the Uniface 7 4GL interface which uses the Bauhaus as the jumping point for creating a new image-language.