In 2008, we began two related research projects that focus on recent Australian rock art, made after the arrival of Asians and Europeans, in part of northwest Arnhem Land's Wellington Range. This area has extensive and diverse rock art, including many examples of paintings that reflect contact between local Aboriginal people and visitors to their shores. At some sites figures made of beeswax are found superimposed under and over paintings, thus providing a means of obtaining minimum and maximum ages for pigment art. We report on the results of an initial radiocarbon beeswax dating programme at the Djulirri site complex. Results include the earliest age for a depiction of a Southeast Asian watercraft in Australian rock art, which is also Australia's earliest contact period rock art depiction discovered so far. Based on the probability distribution of the calibrated ages, it is 99.7% probable this image dates to before AD 1664 and likely is much older. The significance of this result is discussed in relation to early contact history, as revealed by historic documents and archaeological excavation. Other important results suggest a close encounter between local Aboriginal people and Europeans occurred in the 1700s, before British exploration and settlement in the Arnhem Land region.

In this paper we focus on contact rock paintings from three sites in northwestern Arnhem Land, Australia. In doing so we highlight that such sites provide some of the only contemporary Indigenous accounts of cross-cultural encounters that took place across northern Australia through the last 500 years. Importantly, they have the potential to inform us about the ongoing relationships that existed between different parties. The lack of research on contact rock art is emphasised and the development of a large-scale project (of which this fieldwork is part) aimed at addressing this problem is outlined. Important new findings for contact rock art are presented, including evidence for 'traditional' protocols relating to rock art continuing long after first contact, evidence for particular contact period subject matter dominating in art of this region, and the oldest date yet recorded for contact art in Australia.

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Depictions of firearms in Australian Aboriginal rock art provide a unique opportunity to archaeologically explore the roles that this type of material culture played in times of culture contact. From the earliest interactions with explorers to the buffalo shooting enterprises of the twentieth century-firearms played complex and shifting roles in western Arnhem Land Aboriginal societies. The site of Madjedbebe (sometimes referred to as Malakunanja II in earlier academic literature) in Jabiluka (Mirarr Country), offers the opportunity to explore these shifting roles over time with an unprecedented 16 paintings of firearms spanning the nineteenth and twentieth centuries. This rock art provides evidence for early firearms as objects of curiosity Int J Histor Archaeol (2017)

In this paper, a previously undescribed rock art style consisting of large human figures and animals with stroke-line infill is introduced. These depictions have been named Maliwawa Figures. They are primarily found in northwest Arnhem Land and to date have been recorded at 87 sites from Awunbarna (Mount Borradaile area) to the Namunidjbuk clan state of the Wellington Range. There are solitary figures and others arranged in compositions or scenes. We describe the features of this style, its distribution, subject matter and probable age. The results of a detailed analysis of all sites are discussed and a new, refined Arnhem Land rock art chronology is presented. It is concluded that Maliwawa Figures are most likely to date between 6,000 to 9,400 years of age and to be contemporaneous with Northern Running Figures and Yam Figures found at sites to the south.