Systemic Functional Grammar (SFG) is one of the most influential grammars used in stylistics, but more recently the discipline has witnessed a growing body of work using cognitive grammars to explain stylistic effects. This research has tended to make the positive case for cognitive grammar (CG) by demonstrating its similarity to functionalist approaches. However, it is also necessary to say how CG adds to an SFG account of literary effects. To do so, I return to Halliday’s seminal analysis of Golding’s novel, The Inheritors. I use CG to investigate the conceptual processes involved in the reader’s interpretation of the character’s deviant mindstyle and outline some of the ludic and dramatic effects of these reconstrual operations. Thus, whereas SFG focuses on describing the ideational structure of the representations proffered by texts, I argue that a unique affordance of CG is its focus on the readerly construction of meaning.

It has long been recognised that metaphor is not only a linguistic phenomenon, but also has important cognitive dimensions. To find evidence that metaphor is an important feature of the human conceptual system, cognitive linguists have often searched for clusters of metaphor in discourse that manifest a single conceptual metaphor. As Werth points out, however, in addition to clustering, metaphors can be sustained throughout a discourse. The subtle conceptual effects of these extended metaphors are of particular interest to researchers working in the field of stylistics. In this article, I build on Werth’s account of extended metaphor to explore in more detail these sustained conceptual effects. Like Werth, I draw on Text World Theory to outline a text-world approach to extended metaphor, proposing the idea of a ‘source-world’ to account for how individual, clause-level metaphors combine across a discourse to create a discourse-level conceptual structure. I argue that the source-worlds of extended metaphor are anchored in the text-world structures discourse participants create as they engage with a text and that this embedding of extended metaphor in the discourse gives rise to some of the subtle conceptual effects to which Werth alludes. Building on work by Gavins, Steen, Stockwell and Sullivan, I also argue that source-worlds can be more or less foregrounded or pushed into the background of discourse participants’ mental representations of the text and I propose a linguistic framework to account for the phenomenon of extended metaphor foregrounding. I illustrate extended metaphor embedding and foregrounding by analysing a newspaper opinion piece by Matthew D’Ancona entitled ‘Gordon Brown with siren suit and cigar’.

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This article approaches fictionality as a set of semiotic strategies prototypically associated with fictional forms of storytelling (Hatavara & Mildorf, 2017b). Whilst these strategies are strongly associated with fiction, they might also be used in non-fictional and ontologically ambivalent contexts to create ‘cross-fictional’ rhetorical effects. We focus on the representation of thought and consciousness. Using the concept of ‘mind style’ (Fowler, 1977, 1996; Leech & Short, 1981; Semino, 2007), we investigate the linguistic representation of the internal monologue of British Prime Minister, Theresa May, in a satirical newspaper article. The stylistic analysis of the PM’s mind style facilitates an account of the elaborate and nuanced mixing of May and the author’s ideological perspectives throughout the piece. We argue that this cross-fictional, stylistic approach better accounts for the satirical effects of fictionality in the text than those placing a premium on authorial intention and the invented nature of the narrative discourse.

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