No abstract

This is a repository copy of Digital Feminism beyond Nativism and Empire: Affective Territories of Recognition and Competing Claims to Suffering in Iranian Women's Campaigns.

This article analyses the mediated affective practices of the network of #justice-seeking mothers in Iran, who campaign for justice for their children’s deaths at the hands of the state. I situate their melancholic performance of maternal mourning as central to the mediation of a ‘wild’ public intimacy, which contests the state’s attempts to limit and foreclose the spaces of political appearance. This intimate public, I argue, draws on the affordances of visuality and hashtags on Instagram and Twitter to invoke expanded notions of ‘home’ and ‘motherhood’that affectively sustain its political activism. Recent feminist scholarship has emphasised the counter-hegemonic potentials of mourning practices that go beyond the patriarchal family as a reference point, especially in campaigns that seek justice for and recognition of the dead, whether these practices are offline or online. I argue, however, that attention to the ‘relational’ (cultural, social, physical) affordances of digital mourning in this case s reveals that grassroots maternalism may draw its emotional resources from a shifting combination of conventional (familial) and non-conventional forms of kinship. It is this fluid and provisional approach to emotional and political ties that enables the #justice-seeking mothers’ network to mobilise a variety of intimate registers in constructing an affective space of political appearance.

Feminist scholarship on the Middle East has often critiqued binaristic framings of gender rights which draw on Western-centric tropes of cosmopolitan modernity versus local backwardness. What I argue, through examining visual mediations of Covid-19 on Iranian social media, is that gender is reconfigured in this context as part of a nationalism that is both modernising and conservative. I particularly focus on how montage -a modernist visual genre -is utilised in the production of an Iranian national security imaginary which combines a rhetoric of modern, mixed-gender medical care with haunting resonances of male martyrdom and sacrifice during the Iran-Iraq war. While much has been written recently about Covid and national security, what is less discussed is how particularistic narratives of crisis can produce innovative reconfigurations of gender and modernity. Yet while Benjamin envisaged montage as a weapon in the destruction of aura, here, I argue, the deployment of aura supports the state's 'capture' of haunting affects as it seeks to re-shape national memory. What this suggests is that crisis permits a conditional shifting of gender roles, but this move is legitimated through the invocation of a redemptive history, wherein the nation re-emerges triumphant out of disaster.