This study examines how mainstream journalists who microblog negotiate their professional norms and practices in a new media format that directly challenges them. Through a content analysis of more than 22,000 of their tweets (postings) on the microblog platform Twitter, this study reveals that the journalists more freely express opinions, a common microblogging practice but one which contests the journalistic norm of objectivity (impartiality and nonpartisanship). To a lesser extent, the journalists also adopted two other norm-related microblogging features: providing accountability and transparency regarding how they conduct their work and sharing user-generated content with their followers. The journalists working for national newspapers, national television news divisions, and cable news networks were less inclined in their tweets than their counterparts working for less "elite" news outlets to relinquish their gatekeeping role by sharing their stage with other news gatherers and commentators, or to provide accountability and transparency by providing information about their jobs, engaging in discussions with other tweeters, writing about their personal lives, or linking to external websites.
News sourcing practices are critical as they shape from whom journalists get their information and what information they obtain, mostly from elite sources. This study evaluates whether social media platforms expand the range of actors involved in the newsThis paper presents a case study on the use of sources by National Public Radio's Andy Carvin on Twitter during key periods of the 2011 Tunisian and Egyptian uprisings. Carvin, a social media strategist at NPR in the US, emerged as a key broker of information on Twitter during the Arab Spring. 1 Through Twitter, Carvin would often link to images from demonstrators, curate a range of discussion and opinion about events, and frequently ask his followers (then about 50,000 strong) to help him make sense of the bits of information he encountered. This study examines the different actor types on the social media platform to reveal patterns of sourcing of information used by Carvin in order to further an understanding of how sourcing is evolving in an era of networked digital media-a space that, by its nature, allows for new research possibilities in tracking the influence of sources.
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