Transnational flows and influx influence perspectives about the concepts of citizenship limited within nation-state borders. The author challenges liberal assimilationist conceptions of citizenship education in order to explore possibilities for the advancement of both multicultural citizenship and global citizenship education. He situates South Korea’s case within this discourse and suggests multicultural citizenship and global citizenship education as alternative, defensible, and appropriate paradigms at the transnational and global age. In the final part of the paper, he discusses the implications of this paradigm for citizenship education in South Korea.

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This paper is about releasing the social imagination through art in education. This research examines possibilities to use the aesthetic experience as a means to awaken students’ consciousness for advancing democratic values, including multiple perspectives, freedom, and responsibility. Drawing from Maxine Greene’s (1995, 2001) philosophy of social imagination and aesthetic education, this inquiry aims to enrich discourse in the field of curriculum studies, creativity, and citizenship education. Six educators initiated a social imagination project separately. They designed, implemented, and assessed a semester-long project founded in Greene’s philosophy of social imagination. The participants challenged habitual ways of thinking about self/other, culture, and community through active engagement between art and the subject. The aesthetic encounters with art (a) fostered the participants’ wide-awakeness about the society and (b) engaged participants to imagining “things as if they could be otherwise” (Greene, 1995:p. 16). An emphasis on the aesthetic experience through art contributes to advancing democratic values in a pluralistic society.