The purpose of the evaluation is to reflect on whether education provides a good environment and conditions for the development of students and to reflect on the effect of teaching and the practicability of the talents cultivated by teaching to the society. When art education is evaluated, a number of positive outcomes have been achieved in terms of the development of art education, including the improvement of art education as a whole, the development of art talent, and a stronger role for the educational and social communities concerned about the quality of art education. Machine learning-based support vector machine (SVM) can better tackle issues like nonlinearity, high dimensionality, and local minima, which have been effectively implemented in the area of teaching quality evaluation (TQE) with the fast growth of information technology and the Internet. The main work of this paper is as follows: (1) it briefly expounds the research progress of TQE and multiclassification algorithm based on SVM at home and abroad and introduces the relevant basic theories of these two aspects. (2) One-to-one combination method is used in this research, reducing training time to a certain degree. Tests prove the procedure to be objective and equitable. (3) This research claims that an art TQE approach based on SVM is suited for limited professional assessment sample data and provides a method for this purpose.

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For a long time, people tended to ignore the carrying capacity of the environment, resources, ecology and other natural systems, and also ignore the resource and environmental costs and natural costs incurred by economic growth, which eventually leads to the degradation of natural ecological environment and the decline of residents’ health. The results show that the pollution indexes of environmental art design range from 0.007 (comprehensiveness) to 0.912 (economic value), and those of ecological protection strategy range from 0.113 (industrial development) to 0.704 (innovative design); the carrying capacities of environmental art design range from 0.010 (space arrangement) to 0.684 (sustainability) and those of ecological protection strategy range from 0.124 (social value) to 0.938 (industrial development); the environment-protection factor of environmental art design range from 0.085 (sustainability) to 0.544 (land use) and those of ecological protection strategy range from 0.005 (aesthetic value) to 0.937 (concept presentation). Therefore, the arts and crafts in ecological environment construction in the new era can effectively and scientifically implement and carry out the landscape-site selection, material selection, land use, concept presentation, space planning, innovative design and so on under the guidance of ecological civilisation concept. The research results of this paper provide a reference for further research on the analysis of the importance of arts and crafts in the construction of an ecological environment in the new era.

The grotto art in China has a long history. Yungang grotto is a representative grotto with China characteristics that has been preserved so far in the Northern Wei Dynasty, and it is an important cultural heritage of the Northern Wei Dynasty, which embodies the culture of the Northern Wei Dynasty. Yungang grotto is also the beginning of the localization of China grotto art. The unique artistic charm of Yungang Grottoes lies in the organic combination of Indian Buddhist culture and China traditional culture, which incorporates the inherent culture of Xianbei people. This paper briefly expounds and analyzes the statue model of Yungang Grottoes bred by multiculturalism; From the perspective of cultural thought, this paper explores the consciousness of statues in Yungang Grottoes. From the perspective of blending Chinese and western cultures, this paper studies the architecture and Buddhist sculptures of Yungang Grottoes from the religious level. By studying the characteristics of Yungang Grottoes' architecture and Buddhist sculptures, this paper tries to demonstrate the Xianbei cultural characteristics of Yungang Grottoes and discuss the design of Yungang Grottoes and the blending characteristics of Chinese and western cultures embodied in the design. It is hoped that this study will shed some light on understanding and exploring the grotto culture, the blending of Chinese and western cultures and the China-oriented Buddhism.