The layer B is one of the lower layers of the long stratigraphic sequence of the Kamyana Mohyla 1 site. The layer B received eight new AMS radiocarbon dates that clarified its chronology: 7950–7300 calibrated years BC. They are in a reasonable correspondence with the dates for lower and upper layers. The lithic assemblage belongs to Kukrek cultural aspect. It is characterized by pencil-like conical cores, Kukrek inserts, Kukrek burins and Dęby burins, nongeometric microliths (oblique points). The assemblage finds close parallels in the sites of Kukrek, Ihren VIII, Melnychna Krucha SU4 and Domchi-Kaia. They can be united into Kukrek sensu stricto cultural unit. The overlying layer C yielded somewhat different complex that finds parallels in the materials of the so-called “Kukrek cultural tradition.” Due to clear stratigraphic position of these units in the Kamyana Mohyla 1 sequence, we are able to differentiate Kukrek sensu stricto and “Kukrek cultural tradition” and suggest their respective chronological positions.

Many different models of co ntemporary novel’s description arose from the search for methods and approaches of post-postmodern texts analysis. One of them is the concept of metamodernism, proposed by Timotheus Vermeulen and Robin van den Akker and based on the culture and philosophy changes at the turn of this century. This article argues that the ideas of metamodernism and its main trends can be successfully used for the study of contemporary literature. The basic trends of metamodernism were determined and observed through the prism of literature studies. They were implemented in the analysis of Thomas Pynchon’s latest novel, Bleeding Edge (2013). Despite Pynchon being usually considered as postmodern writer, the use of metamodern categories for describing his narrative strategies confirms the idea of the novel’s post-postmodern orientation. The article makes an endeavor to use metamodern categories as a tool for post-postmodern text studies, in order to analyze and interpret Bleeding Edge through those categories.

Newly applied method of 3D-point cloud analysis performed in Kamyane-Zavallia, Ukraine, introduced the opportunity to define the walking surface of Neolithic settlement and distinguish stratigraphic units in details using the geoinformational systems and geospatial database as a tools for the object analysis. This raises a number of questions concerning the previous interpretations of Linear Pottery Culture sites in Ukraine and the required accuracy of their archaeological excavation. Moreover, the analysis of stratigraphic units inside the long pit from Kamyane Zavallia had shown the complex and heterogenic process of its refilling.

Abstract

Among numerous ways to describe the culture and literature after postmodernism metamodern is becoming more and more popular. Its main features – oscillation, affect, desire for structure and (re)construction etc. – appear in many products of contemporary culture. This article reflects the endeavour to apply metamodernism and its trends to the literary analysis of cybertext. Crucial trends of metamodernism are briefly described and implemented in the analysis of a video game. The features of cybertext that influence the analysis are considered. All these instruments were used to show the metamodern nature of the game by Naughty Dog, The Last of Us (2013). The article attempts to analyze a cybertext through the methods of literary analysis and reveal metamodern ideas in The Last of Us using main metamodern categories as a tool for text study.