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The Protagoras exhibits several traits of metatheatrical comedy. Through the use of role-playing and intertextual reference, I argue that the Protagoras exhibits metatheatrical comedy which Socrates uses to expose the pretension at the heart of philosophical dialogue itself. In this way, Socrates pulls back the curtain of philosophical dialogue to expose the theatricality of such dialogue and, in doing so, offers the audience a unique opportunity to laugh at ourselves.

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