The article investigates the visual dimension of popular protests in Habsburg Croatia at the end of the nineteenth and beginning of the twentieth century, reconstructing the history of a precise pattern of popular protest, i.e. anti-Hungarian unrests. Furthermore, the article explores the relationships that peasant masses established with some key national symbols, namely the Hungarian and Croatian flag, showing the multiple and contested meaning assigned to them by the members of the elite and the peasants. Second, the article shows how popular reception of these visual symbols changed during the examined period. The main issues addressed are therefore the mass nationalization and politicization of rural population in these regions, raising some general questions related to the symbolic language of social conflict.

The article examines the development of the work discipline and the ethics of work in the shipyard Uljanik in Pula considering the period from the 1980s up to now. Combining oral sources, archival documents, and factory’s magazines, one first conclusion is that in the framework of the self-management system labour discipline was certainly not severe, but neither absent. It was rather in the first half of the 1990s that work discipline vanished, before to be reinstated, in quite new forms, from the second half of the 1990s onwards. Secondly, the article shows how the workers-managers relations worsened in the post-socialist years. This caused a profound emotional detachment by the workers from their work and the factory. In the absence of the older ethics of work, and of a mutual respect between workers and managers (both directors and foremen), what seems to have remained for managing work and the workers is only contemporary labour discipline.

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