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Having improved the knowledge of a group of general practitioners who are familiar with the functioning of the Logan-Beaudesert Mental Health Service, the stage is now set to proceed to the next step: the shared-care project.

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Dance in a particular cultural tradition may be analyzed from any of several different perspectives, which may be classified in two categories. In the first, analysis may be structural or stylistic. By structure I mean the set of relationships among discrete movements characteristic of a dance tradition; it is similar to grammar in language (cf. Woodard 1976). Style refers to the general qualities of a dance tradition or classes of the tradition: tempo, energy level, parts of the body used, characteristic number of dancers, smoothness or abruptness of movements, body decorations and objects manipulated in the dance (cf. Lomax 1968:222-273). Although this category is concerned with analysis of dance qua dance, it may justifiably be argued that a kind of meaning inheres in pure structure and style, and therefore that their analysis is an explication of meaning.Other ways of analyzing dance in a cultural tradition approach meaning in a different way. Meaning is sought in the relationship between structure and style on one hand and other aspects of the culture on the other.