The article is an in-depth review of Petar Kehayov's monograph The Fate of Mood and Modality in Language Death: Evidence from Minor Finnic (De Gruyter Mouton, 2017). The book investigates the development of mood and modality in four moribund Finnic languages spoken in the Russian Federation: Votic, Ingrian, Central Lude, and Eastern Seto. After a detailed summary of the book, I discuss a number of issues relating to (a) the semantic map used to analyze the modal meanings; (b) the difference between language death-related changes and "regular" language change; and (c) the explanation of the observed patterns in terms of conceptual complexity. On the last point, I suggest that usage frequency may provide a better explanation for some of the observed changes.

Artiklen undersøger fordi-sætningers form og funktion i formelt dansk talesprog, nærmere bestemt dansk som det tales under møder i Folketinget. Undersøgelsen viser at ’hovedsætningsordstilling’ (V2) er langt hyppigere end ’ledsætningsordstilling’ (V3) og dermed ikke blot et kendetegn for uformelt talesprog, og at fordi kan indlede spørgesætninger (fx fordi hvad handler det om i skrøbelige stater?). Desuden undersøges det ved hjælp af en fireleddet typologi over årsagssætninger i hvor høj grad der er en sammenhæng mellem fordi-sætningens betydning og valget mellem V2 og V3.

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This chapter has the following sections: 1. General; 2. History of English Linguistics; 3. Phonetics and Phonology; 4. Morphology; 5. Syntax; 6. Semantics; 7. Lexicography, Lexicology, and Lexical Semantics; 8. Onomastics (not present this year); 9. Dialectology and Sociolinguistics; 10. New Englishes and Creolistics; 11. Second Language Acquisition; 12. English as a Lingua Franca; 13. Pragmatics and Discourse Analysis; 14. Stylistics (not present this year). Sections 1 and 2 are by Viktorija Kostadinova; section 3 is by Marco Wiemann; sections 4 and 5 are by Gea Dreschler and Sune Gregersen; section 6 is by Beáta Gyuris; section 7 is by Ai Zhong; section 9 is by Lieselotte Anderwald; section 10 is by Beke Hansen and Sven Leuckert; section 11 is by Tihana Kraš; section 12 is by Shawnea Sum Pok Ting, Ida Parise and Alessia Cogo; section 13 is by Elisabeth Reber.