This article presents radiocarbon dates from human bone samples (n = 13) from seven pre-Columbian cemeteries in the Samaca and Ullujaya Basins of the lower Ica Valley, south coast of Peru, spanning from the end of the Early Horizon to the Inca Late Horizon. These contexts have been severely looted. Yet, in all cases, their putative dating by material culture remains is confirmed by these 14C dates. This shows that such disturbed contexts, sadly typical of the Peruvian coast, can nonetheless still yield valuable bioarchaeological and burial practice data. These dates elaborate upon an emerging picture of the absolute dating of the cultural phases of the wider south coast region, in particular casting new light on the poorly understood Middle Horizon to Late Intermediate period transition. A paucity of archaeological data for this 3-century period has been taken as evidence of some sort of environmentally or socially induced lacuna. Instead, the 14C dates presented here suggest that the basins of the lower Ica Valley were continuously occupied over this period.

This paper presents new information from funerary contexts in the lower Ica Valley, on the south coast of Peru, spanning two millennia from the end of the Early Horizon to the Late Intermediate Period. Although severely looted, these sites can still yield valuable information. We discuss their architecture and material culture in the context of radiocarbon dates. Among other findings, these cast new light on the poorly understood transition from the Middle Horizon to the Late Intermediate Period, for which a paucity of archaeological data from ca. A.D. 1000-1250 has long been taken as evidence of an environmentally-or socially-induced demographic collapse. Yet the data we present here suggest that the basins of the lower Ica Valley were likely occupied continuously over this period, and that the echoes of Wari influence here may have lasted longer than previously thought.

There has been much debate over the decades amongst Cuban archaeologists about what group or groups may have created the rock art in the karst caves of Cuba. The complexities of Cuba's history made dating rock paintings an attractive method for determining their origins. Samples were collected from three caves in Mayabeque province, collectively referred to as Las Charcas. Chemical analyses were carried out along with plasma–chemical oxidation and accelerator mass spectrometric radiocarbon dating. The paintings in two caves contained bitumen, resulting in anomalously old dates, whilst the other cave's amorphous carbon‐based paintings fit within a pre‐Columbian context.