In the rice culture of KasepuhanCiptagelar society, life will emerge after sakuren brought together (pangawinan). Life is not static, but dynamic and cyclical. Sakuren should be sought through the ngalasuwung, that is a process of ritual activity. Ngalasuwung performed through pattern of space motion katuhu or kenca. Goal of ngalasuwung is to achieve a suwung. The process of ngalasuwung does not cease after the reality of sakuren found. Reality of sakuren remains to be mated (pangawinan) in suwung space. Aim of pangawinan is obtain pancer. Through an ethnographic approach, sakuren cultural theme as a result of a domain analysis, studied simultaneously with taxonomic analysis and elaborated with thick description. Comprehensive studies show that sakuren is an existential meaning which should be pursued and a prerequisite for obtaining safety and sustainability.Keywords: KasepuhanCiptagelar, pangawinan, pancer, sakurenABSTRAKDalam budaya padi masyarakat Kasepuhan Ciptagelar, kehidupan akan muncul setelah sakuren dipertemukan. Kehidupan tidak bersifat statis, melainkan dinamis dan siklis. Sakuren adalah konsep sepasang. Sakuren harus dicari melalui proses ngalasuwung, yaitu sebuah proses aktivitas ritual. Ngalasuwung dilakukan dengan dengan pola gerak ruang katuhu atau kenca. Tujuan ngalasuwung adalah mencapai ruang suwung. Proses ngalasuwung tidak berhenti setelah realitas sakuren ditemukan. Realitas sakuren masih harus dikawinkan dalam ruang suwung. Tujuan pangawinan adalah memperoleh pancer (keselamatan). Melalui pendekatan etnografi, tema kultural sakuren sebagai hasil dari analisis domain, dikaji secara simultan dengan analisis taksonomi dan dielaborasi dengan thick description. Kajian komprehensif menunjukkan bahwa sakuren merupakan makna eksistensial yang harus diupayakan dan menjadi prasyarat untuk memperoleh keselamatan dan keberlanjutan hidup masyarakat budaya padi Ciptagelar.Kata Kunci :Kasepuhan Ciptagelar, pangawinan, pancer, sakuren

Dwelling Riparian is not an archaeological artifacts or ruins of civilization, but the physical figure of communities that are still alive and live. Socially, the Musi River not merely as a means of transport and make a living alone. Moreover Musi River Palembang form of existence of cultural sovereignty. Riverside settlements are not only inherent elegance spatial pattern alone, but also contains exemplary values, philosophy, and belief in the primordial Palembang riverside cultural background and meaning of culture. The goals of this study are, 1) to observe the evolution processes of dwelling culture and to compare the traditional spatial forms and the transformed ones. 2) to emphasize the former attitude and to propose a sustainable strategy for developing the dwelling type by respecting and adopting the traditional culture and historic apologue. The concrete tactics for construction and architectural concepts are proposed in this paper.

Eksistensi Sungai Musi pada awalnya menjadi orientasi bangunan rumah yang menghadap ke sungai. Ruang air mulai di persempit dengan kehadiran bangunan baru yang menempati area diatas lahan yang tertutup air. Perubahan budaya sungai ke darat berpengaruh kepada kehadiran bangunan baik yang lama maupun yang baru. Hal ini menyebabkan hilangnya potensi lokal dan identitas arsitektur lokal dan berakibat hilangnya eksistensi sungai tersebut. Tujuan penelitian ini untuk mengetahui pengaruh eksistensi sungai Musi dalam perubahan orientasi permukiam tepi sungai dari ruang air ke ruang darat. Untuk mencapai tujuan tersebut, studi mengidentifikasi jejak arsitektur permukiman, mengekplorasi aktivitas dan gagasan masyarakat tepian sungai. Pengumpulan data dilakukan melalui observasi lapangan, wawancara mendalam, dan studi pustaka. Analisis dilakukan secara kualitattif terhadap variabel, orientasi, posisi, bentuk, dan tata letak hunian tepi sungai. Hasil menunjukkan bahwa sebagian besar rumah tepian sungai yang dibangun pada area aliran anak sungai masih memiliki orientasi ke sungai. Sedangkan rumah yang dibangun pada area yang dekat dengan jalan bergeser lebih orientasi ke darat. Studi menyimpulkan bahwa Perubahan orientasi permukiman tepian sungai disebabkan oleh perubahan eksistensi Sungai Musi Palembang.

The development of the city in the modern era has had an impact on the culture of people living in the riverside. The river-oriented settlement culture is transformed into a land-based settlement culture. In this development, changes in the form of a settlement environment depend on the position of environmental elements in cultural systems such as nature, man, society, shells, and network. Changes in the form of environment affect the elements of the settlement. Some of them are repaired in building structures but material changes and others change following the development of the settlement orientation process. These changes undermine the identity, character, and potential of river architecture and settled cultures that were originally in harmony with river life. The purpose of this study was to explore the incidence and explanation of changes in the settlement elements in the Musi River and the architectural aspects of the house and residential type through a qualitative approach. Data collection is done qualitatively by using data collecting technique that is field observation, depth interview, and literature study. The analytical technique used is through qualitative approach of case study with a combination of strategies that identify elements of rural community settlements with triangulation. This study found the change of the settlement elements of the Musi River Palembang River from the river-oriented to the land-oriented. This study concludes that changes in the architecture and building system of river settlements that include changes in the orientation of buildings to rivers, the addition of space under the stilts, material changes, changes in the function of house space, and changes in river environmental infrastructure caused by the influence and development of land-oriented culture settlements, based on the elements of settlement on the banks of the River Musi Palembang.

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