Based on a study of unaccompanied Korean student migrants, this article investigates how transnational communication helped the students continue their transnational journey for educational success. Although suffering perennial loneliness, the students continued with their studies because they still believed acquiring education in the United States would be advantageous in securing their success. They became actively involved in transnational communication to cope with stresses and to gain emotional support. Transnational communication played an important role in mediating between their pursuit of education and desired cultural capital on the one hand, and the loneliness and isolation as migrants on their own on the other.

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This study aimed to demonstrate how South Korean news media routinized and sensationalized the face mask amid two recent public health crises: the fine-dust crisis and the COVID-19 epidemic. News media appropriated the mythologized meaning of the face mask as a symbol of individual safety during the two crises. This study analyses news articles to answer three questions: (1) How was wearing the face mask mythologized as a routinized practice in days of uncertain risk? (2) How was the face mask politicized as a mythologized sign indicating China as an external threat? and (3) How was the face mask politicized as a symbolic code of the government’s responsibility for the crisis? Once signified as the primary means of individual protection in the context of Korean risk society, the face mask became politicized amid the shortage of the face mask. Placed in the context of the recent disastrous crises in Korea, China was identified as the culprit not only in the epidemic but also in the shortage of the face mask. The meaning of China as an external threat was continuously strengthened when the South Korean government opted out of the entry ban on Chinese citizens. The last analytic part presents how news media politicized the epidemic by associating the face mask crisis with the Korean government.

This article addresses three facets of modernity that are signified by slogans and spatial settings in Beijing, China. The research was conducted as a preliminary study of the communication process in the course of globalization and nationalism reflected in the 2008 Beijing Olympic Games. This article uses some photographs and observations to analyze symbolic meanings of slogans and spaces from Beijing in summer 2007, a year before the Games. Since slogans in China have a long tradition, the repeated usages of slogans and their relations to the spatial settings might signify strong messages to promote governmental orientations. This article explores slogans on Tiananmen Square in relation to the political space, a huge sign displaying the motto of the 2008 Beijing Olympic Games in Wangfujing district in relation to the economic space, and slogans in an old and poor district under a redevelopment project. The article posits that these three slogans and spaces reflect three different facets of Chinese modernity: nationalism, globalization, and developmental ideology.

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