Development dynamics of choreographic amateur as a phenomenon of creative activity in the structure of non-formal art education is investigated in the article. The main stages of becoming a choreographic amateur in Ukraine in the context of socio-political and cultural-artistic determinants are characterized. It has been found that during the XX century choreographic activity as a component of non-formal art education had passed a difficult and contradictory path from the experiments of dance studios and the search for “Soviet dance” to the creation of groups, ensembles, creative associations, and later the appearance of amateur dancers of various genres of choreographic performances. Choreographic performance was actively implemented in the permanent and temporary forms of organization that brought together different social groups. The study analyzes the content of choreographic training in the activities of dance groups in different cultural and educational locations at different stages of historical development. The actual perspective of the development of theoretical studies in the field of choreographic education is the understanding of pedagogical resources of amateur choreography, the analysis of its strategies, meaningful content in various forms of organization.

The relevance of the study is determined by the active development of the pedagogical art branches, where the professional competence development of future choreographers and the development of their creative views becomes the main aspect of specialists training in higher education institution and involves the creation of the necessary conditions on the way to their creative growth and professionalism. In this regard, the purpose of the research work is to determine the features of the training of choreographers in higher education institution, their professional development in the context of educational activities, the professional competence development in the process of practical professional training, as well as to determine possible ways to overcome the professional crisis and destruction. The basis of the theoretical and methodological approach in this article is a qualitative combination of system analysis methods of choreographer training in higher education institutions with an analytical study of the professional competence development of future specialists in the art of dancing, where the use of modern approaches involves the use of innovative forms and means of learning to implement the educational concept regarding the professional development of choreographers. The article presents the results that reflect the problem of implementing the training of choreographers in higher education institution on the way to the professional qualities development of future specialists, their motivation for self-education, the development of creative abilities and creativity, as well as the necessary skills development for future productive professional activity. The obtained results of the research work are of practical value for educators of higher education institutions that train the specialists in the art of dancing, for the perspective of introducing and implementing the latest training approaches in the educational process, as well as for practical purposes for determining the development of professional qualities of future choreographers in higher education institutions.

The present study is mainly focused on the design and development of an information system for preserving the results of testing to verify the residual knowledge of students of the resource for training specialists in information and communication technologies. The purpose of the study is to provide a scientific justification for the problem of developing professional training of specialists in information and communication technologies in the process of using an information system to save test results to verify students’ residual knowledge and to verify the effectiveness of its implementation in universities. According to the results of the experiment, it can be argued that the introduction of an information system to preserve the results of testing to test students’ residual knowledge in the educational process contributes to the professional training of specialists in information and communication technologies at the universities of Ukraine. The application of development and utilization of contemporary information technologies concentrated on implementing the pedagogical and psychological aims of teaching and education is fundamentally new mediated by modern technical and technological innovations.

The article reveals the peculiarities of the development of choreographic education in Ukraine in pre-professional forms of organization in the 20s of the XX century. In the aspect of socio-political and cultural determinants, the organizational and pedagogical foundations of choreographic training of the younger generation in the structure of general and out-of-school education are analyzed. The educational value of the phenomenon of pre-professional dance creativity is clarified. It has been observed that during the study period children's dance amateurism was formed in the educational, cultural and artistic spheres in institutions of various functional purposes: in general education institutions, dance vocational schools, art studios, children's and youth clubs. The dissemination of elementary choreographic knowledge also took place in various mass forms of aesthetic and educational leisure: concerts, literary and musical matinees, evenings, and mass folk festivals.Based on the analysis of the educational sector's reporting documentation of the time, it was found that official support for school and out-of-school amateur children's choreography was centralized, regulated by norms and methods, and subordinated to the ideological narratives of the society of the time. Physical education bias dominated the arrangement of the content of school motor training. The priority direction of leisure time choreographic activities of schoolchildren in institutions of mass culture is the attraction to newly created mass dance forms of Soviet origin, lexically simple and accessible for assimilation. The main principles of mass children's choreographic performance were the availability of dance vocabulary, a combination of elementary natural movements, jumps, running, simplicity and artistry of musical accompaniment.It is proved that in the period under study, the formation of the content of pre-professional choreographic training of children and students involved the correlation of ideological and educational tasks. Mass choreographic forms were interpreted primarily as an effective component of the overall system of class education. At the same time, it was noted that the quality level of children's amateur choreography in the system of cultural and mass work remained generally low, despite its popularity in society. The need to improve pre-professional dance creativity in various forms of organization remained relevant.