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Abstracte ongoing dispute over whaling is a signi cant issue of con ict between Australia and Japan. It appears that the print media in each country supports the dominant opinion: anti-whaling in Australia, and pro-whaling in Japan. To investigate media perspectives, this study reviews newspaper coverage throughout a whaling season (15 December 2007 -24 March 2008, analysing 48 articles from Australian newspapers (in English) and 51 articles from Japanese newspapers (in Japanese). Content analysis was employed to identify the characteristics of the newspaper articles. It is believed that reporting can contribute to cultural and political transparency by providing comprehensive views on the whaling issue. However, the ndings here indicate that the current state of whaling reporting tends to be one-sided. is study assesses how the whaling issue is reported in both Australia and Japan, and what in uences that reporting. It also focuses on Japan's kisha club (reporters' club) system to shed some light on why Japanese journalists report pro-whaling perspectives given international criticism from Australia.

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In Warriors of the Rainbow, Wei Te-Sheng sharply distinguished between heroes and villains in the 1930 Musha incident – the Taiwanese heroes fight against the Japanese villains. This contrasts with Kano, where Wei presents the romantic Orient of Japanese colonization through baseball games. Although his films are not always historically accurate in details, they realistically represent Taiwanese collective emotions towards Japanese colonization. Preferencing Japanese colonization over Chinese administration is not unusual in today’s Taiwan and thus not original to Wei. Taiwan’s Japanese colonial past was previously acknowledged by two well-known Japanese writers, Ryotaro Shiba and Yoshinori Kobayashi, in the late twentieth century when Taiwan newly asserted its freedom of expression. This article will analyse the role played by Japan in establishing the creation and projection of a unique Taiwanese identity in the field of popular culture by employing a ‘point of view’ framework from narratology.