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Entering academia as the youngest academic in my department, I encountered my blackness in ways that mirrored my days as a university student. Joining a university department with few Black1 academics was psychologically scarring. One of those scars had been constantly wondering whether my employment had been to fulfil demographic obligations or rightfully based on merit and suitability for the job. This evoked a recollection of past experiences: my experiences as a Black student in classes with very few Black bodies to engage with and/or look up to. The burden of constantly needing to prove my worth and intellectual capability became an artificial barrier to belonging in those spaces. Reflecting on transformation in South African Institutions of Higher Education, I utilise an autoethnographic method to reveal my experiences of (un)belonging and exclusions in academia as a way of revealing the psychological cost of being a ‘body out of place’.

The study aimed to explore adolescents' perceptions of how urban contemporary music influences health and well-being among them. Data on health and well-being effects of music consumption were gathered from a convenience sample of 16 participants (male = 50%, females = 50%) between the ages of 15 and 17 in a series of two focus group interviews. The data were analysed using thematic analysis. Findings suggest the adolescents to perceive both positive and negative influences of contemporary music on their health and well-being. Positive influences included emotional well-being and sense of social belongingness. Negative influences included promotion of risky behaviours, including substance use, misogyny, sexual behaviour and violence. The findings suggest that urban contemporary music serves as a tool of normalisation as well as a catalyst for encouraging risky behaviour in adolescence.

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